From: Comparative Drama

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  Volume 35, Numbers 3, 4, Fall/Winter 2001-02

Table of Contents

Self-Discovery in Montaigne's "Of Solitarinesse" and King Lear

pp. 247-269
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DOI: 10.1353/cdr.2001.0034
Philip D. Collington
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The Boy Who Would Be King: Court Revels of King Edward VI, 1547-1553

pp. 271-290
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DOI: 10.1353/cdr.2001.0002
Suzanne Westfall
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Mapping Jouissance: Insights from a Case Study in the Schizophrenia of Canadian Drama

pp. 291-318
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DOI: 10.1353/cdr.2001.0008
Gregory J. Reid
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Situating the Holy: Celtic Community in Breton and Cornish Saint Plays

pp. 319-343
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DOI: 10.1353/cdr.2001.0013
Victor I. Scherb
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"Between Two Worlds": The Dybbuk and the Japanese Noh and Kabuki Ghost Plays

pp. 345-376
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DOI: 10.1353/cdr.2001.0019
Zvika Serper
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Brokering Glory for the Chinese Nation: Peking Opera's 1930 American Tour

pp. 377-392
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DOI: 10.1353/cdr.2001.0025
Nancy Guy
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Shakespeare's "Books of Memory": 1 and 2 Henry VI

pp. 393-414
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DOI: 10.1353/cdr.2001.0031
Jerome Mazzaro
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Theatricality and Cosmopolitanism in Hannah Cowley's The Belle's Stratagem

pp. 415-433
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DOI: 10.1353/cdr.2001.0037
Elizabeth Kowaleski Wallace
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O'Neill and Jamie: A Survivor's Tale

pp. 435-445
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DOI: 10.1353/cdr.2001.0005
Michael Hinden
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Hedda and Bailu: Portraits of Two "Bored" Women

pp. 447-463
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DOI: 10.1353/cdr.2001.0011
Chengzhou He
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Reviews

Power into Pageantry: Spectacle Entertainments of Early Imperial Rome (review)

pp. 465-469
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DOI: 10.1353/cdr.2001.0017
Garrett Fagan
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Trevor Griffiths: Politics, Drama, History (review)

pp. 469-472
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DOI: 10.1353/cdr.2001.0023
Jenny S. Spencer
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Marlowe, History, and Sexuality: New Critical Essays on Christopher Marlowe (review)

pp. 472-475
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DOI: 10.1353/cdr.2001.0029
Karen Cunningham
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Performing America: Cultural Nationalism in American Theater (review)

pp. 476-478
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DOI: 10.1353/cdr.2001.0035
Thomas P. Adler
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Shakespeare's Noise (review)

pp. 479-482
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DOI: 10.1353/cdr.2001.0003
Grace Tiffany
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The Text in Play: Representations of Rehearsal in Modern Drama (review)

pp. 483-485
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DOI: 10.1353/cdr.2001.0009
Kinereth Meyer
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Gender and Politics in Greek Tragedy (review)

pp. 486-489
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DOI: 10.1353/cdr.2001.0015
Mary Kay Gamel
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Theatre under the Nazis (review)

pp. 489-493
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DOI: 10.1353/cdr.2001.0021
Robert Hinkel
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The Cambridge Companion to Shakespeare on Film (review)

pp. 493-496
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DOI: 10.1353/cdr.2001.0027
Frances Teague
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Adulterous Alliances: Home, State, and History in Early European Drama and Painting (review)

pp. 496-500
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DOI: 10.1353/cdr.2001.0033
Sara Eaton
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Index to Volumne 35 2001-2002

Index to Volume 35 (2001-2002)

p. 501
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DOI: 10.1353/cdr.2001.0001
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Reviews

Reviews

p. 502
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DOI: 10.1353/cdr.2001.0007
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