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  Volume 37, Number 1, Spring 2003

Table of Contents

Tom Stoppard and "Postmodern Science": Normalizing Radical Epistemologies in Hapgood and Arcadia

pp. 3-35

Mocking Dead Bones: Historical Memory and the Theater of the Dead in Richard III

pp. 37-57

The Trope of Transformation in Medea: A Noh Cycle

pp. 59-74

"Together Again": Theater in Postcolonial Hong Kong

pp. 75-87

Goodnight Desdemona (Good Morning Juliet): From Shakespearean Tragedy to Postmodern Satyr Play

pp. 89-115


Theatricalities of Power: The Cultural Politics of Noh (review)

pp. 117-119

The Dramatic Art of Athol Fugard: From South Africa to the World (review)

pp. 119-122

The Cambridge Companion to Sam Shepard (review)

pp. 122-125

Modern Greek Theatre: A Quest for Hellenism (review)

pp. 125-128

Staging Consciousness: Theater and the Materialization of Mind (review)

pp. 129-131

The Temptation of Innocence in the Dramas of Arthur Miller (review)

pp. 132-135

Harold Bloom's Shakespeare (review)

pp. 135-139

Brief Notices

pp. 141-144

Research Areas


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