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Browse Book and Journal Content on Project MUSE

  Volume 37, Number 1, Spring 2003

Table of Contents

Tom Stoppard and "Postmodern Science": Normalizing Radical Epistemologies in Hapgood and Arcadia

pp. 3-35 | DOI: 10.1353/cdr.2003.0024

Mocking Dead Bones: Historical Memory and the Theater of the Dead in Richard III

pp. 37-57 | DOI: 10.1353/cdr.2003.0029

The Trope of Transformation in Medea: A Noh Cycle

pp. 59-74 | DOI: 10.1353/cdr.2003.0033

"Together Again": Theater in Postcolonial Hong Kong

pp. 75-87 | DOI: 10.1353/cdr.2003.0037

Goodnight Desdemona (Good Morning Juliet): From Shakespearean Tragedy to Postmodern Satyr Play

pp. 89-115 | DOI: 10.1353/cdr.2003.0012


Theatricalities of Power: The Cultural Politics of Noh (review)

pp. 117-119 | DOI: 10.1353/cdr.2003.0017

The Dramatic Art of Athol Fugard: From South Africa to the World (review)

pp. 119-122 | DOI: 10.1353/cdr.2003.0022

The Cambridge Companion to Sam Shepard (review)

pp. 122-125 | DOI: 10.1353/cdr.2003.0027

Modern Greek Theatre: A Quest for Hellenism (review)

pp. 125-128 | DOI: 10.1353/cdr.2003.0032

Staging Consciousness: Theater and the Materialization of Mind (review)

pp. 129-131 | DOI: 10.1353/cdr.2003.0036

The Temptation of Innocence in the Dramas of Arthur Miller (review)

pp. 132-135 | DOI: 10.1353/cdr.2003.0011

Harold Bloom's Shakespeare (review)

pp. 135-139 | DOI: 10.1353/cdr.2003.0015

Brief Notices

pp. 141-144 | DOI: 10.1353/cdr.2003.0020

Research Areas


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