1. Tom Stoppard and "Postmodern Science": Normalizing Radical Epistemologies in Hapgood and Arcadia
  2. Daniel Jernigan
  3. pp. 3-35
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  1. Mocking Dead Bones: Historical Memory and the Theater of the Dead in Richard III
  2. Stephen Marche
  3. pp. 37-57
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  1. The Trope of Transformation in Medea: A Noh Cycle
  2. Loren Edelson
  3. pp. 59-74
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  1. "Together Again": Theater in Postcolonial Hong Kong
  2. Clayton G. Mackenzie, Moira Arthurs
  3. pp. 75-87
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  1. Goodnight Desdemona (Good Morning Juliet): From Shakespearean Tragedy to Postmodern Satyr Play
  2. Igor Djordjevic
  3. pp. 89-115
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  1. Theatricalities of Power: The Cultural Politics of Noh (review)
  2. Carol Fisher Sorgenfrei
  3. pp. 117-119
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  1. The Dramatic Art of Athol Fugard: From South Africa to the World (review)
  2. Henry I. Schvey
  3. pp. 119-122
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  1. The Cambridge Companion to Sam Shepard (review)
  2. Arvid F. Sponberg
  3. pp. 122-125
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  1. Modern Greek Theatre: A Quest for Hellenism (review)
  2. Mary Pittas-Herschbach
  3. pp. 125-128
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  1. Staging Consciousness: Theater and the Materialization of Mind (review)
  2. Gene A. Plunka
  3. pp. 129-131
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  1. The Temptation of Innocence in the Dramas of Arthur Miller (review)
  2. Gregory W. Lanier
  3. pp. 132-135
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  1. Harold Bloom's Shakespeare (review)
  2. Jennifer Low
  3. pp. 135-139
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  1. Brief Notices
  2. pp. 141-144
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