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  Volume 38, Numbers 2,3, Summer/Fall 2004

Table of Contents


Magic Mirrors in Richard II

pp. 151-181 | DOI: 10.1353/cdr.2004.0034

Meanings of All for Love, 1677-1813

pp. 183-211 | DOI: 10.1353/cdr.2004.0037

Anti-Colonist Discourse, Tragicomedy, and the "American" Behn

pp. 213-233 | DOI: 10.1353/cdr.2004.0024

Politesse and the Woman at Risk: The Social Comedies of Marie-Thérèse De Camp

pp. 235-258 | DOI: 10.1353/cdr.2004.0027

An American in Ireland: The Representation of the American in Brian Friel's Plays

pp. 259-276 | DOI: 10.1353/cdr.2004.0029

Memory, Composition, and the Relationship of King John to The Troublesome Raigne of King John

pp. 277-290 | DOI: 10.1353/cdr.2004.0031

Serious Money Becomes "Business by Other Means": Caryl Churchill's Metatheatrical Subject

pp. 291-313 | DOI: 10.1353/cdr.2004.0033


Looking at Shakespeare: A Visual History of Twentieth-Century Performance, and: The Oxford Encyclopedia of Theatre and Performance (review)

pp. 315-320 | DOI: 10.1353/cdr.2004.0036

The Shattering of the Self: Violence, Subjectivity, and Early Modern Texts (review)

pp. 321-324 | DOI: 10.1353/cdr.2004.0023

Shakespeare's Second Historical Tetralogy: Some Christian Features (review)

pp. 325-327 | DOI: 10.1353/cdr.2004.0026

Shakespeare and Italy: The City and the Stage (review)

pp. 327-329 | DOI: 10.1353/cdr.2004.0028

Shakespeare's Early History Plays: From Chronicle to Stage (review)

pp. 329-332 | DOI: 10.1353/cdr.2004.0030

The Past as Present in the Drama of August Wilson (review)

pp. 332-336 | DOI: 10.1353/cdr.2004.0032

The Stage Life of Props (review)

pp. 336-338 | DOI: 10.1353/cdr.2004.0035

The Drama Handbook: A Guide to Reading Plays (review)

pp. 338-341 | DOI: 10.1353/cdr.2004.0038

Brief Notices

Brief Notices

pp. 343-350 | DOI: 10.1353/cdr.2004.0025

Research Areas


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