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  Volume 28, Number 1, Spring 2011

Table of Contents

Introduction: Cinema In and Out of the Maghreb

p. 1 | DOI: 10.1353/scr.2011.0001


Dissident or Conformist Passing: Merzak Allouache’s Chouchou

pp. 2-17 | DOI: 10.1353/scr.2011.0003

The Gulf War, the Iraq War, and Nouri Bouzid’s Cinema of Defeat: It’s Scheherazade We’re Killing (1993) and Making Of (2006)

pp. 18-35 | DOI: 10.1353/scr.2011.0005

Representing Gender and Sexual Trauma: Moufida Tlatli’s Silences of the Palace

pp. 36-51 | DOI: 10.1353/scr.2011.0007

Mean Streets, Bad Boys, Drugs and Rock ‘n’ Roll: Morocco’s Urban Legends of the 21st Century

pp. 52-73 | DOI: 10.1353/scr.2011.0009

Burning the Past: Moroccan Cinema of Illegal Immigration

pp. 74-89 | DOI: 10.1353/scr.2011.0011

The Ethics and Politics of Laila Marrakchi’s Marock

pp. 90-108 | DOI: 10.1353/scr.2011.0000

All In the Family: Abdellatif Kechiche’s La Graine et le Mulet (The Secret of the Grain)

pp. 109-123 | DOI: 10.1353/scr.2011.0002


My Father and I: The Marais and the Queerness of Community (review)

pp. 124-126 | DOI: 10.1353/scr.2011.0006

Paris from the Ground Up , and: The Heroic City: Paris 1945–1958 (review)

pp. 126-130 | DOI: 10.1353/scr.2011.0008

Approaches to Teaching Teresa of Ávila and the Spanish Mystics (review)

pp. 130-132 | DOI: 10.1353/scr.2011.0010


Notes on Contributors

pp. 133-134 | DOI: 10.1353/scr.2011.0004

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