restricted access   Volume 28, Number 1, Spring 2011

Table of Contents

Introduction: Cinema In and Out of the Maghreb

p. 1


Dissident or Conformist Passing: Merzak Allouache’s Chouchou

pp. 2-17

The Gulf War, the Iraq War, and Nouri Bouzid’s Cinema of Defeat: It’s Scheherazade We’re Killing (1993) and Making Of (2006)

pp. 18-35

Representing Gender and Sexual Trauma: Moufida Tlatli’s Silences of the Palace

pp. 36-51

Mean Streets, Bad Boys, Drugs and Rock ‘n’ Roll: Morocco’s Urban Legends of the 21st Century

pp. 52-73

Burning the Past: Moroccan Cinema of Illegal Immigration

pp. 74-89

The Ethics and Politics of Laila Marrakchi’s Marock

pp. 90-108

All In the Family: Abdellatif Kechiche’s La Graine et le Mulet (The Secret of the Grain)

pp. 109-123


My Father and I: The Marais and the Queerness of Community (review)

pp. 124-126

Paris from the Ground Up , and: The Heroic City: Paris 1945–1958 (review)

pp. 126-130

Approaches to Teaching Teresa of Ávila and the Spanish Mystics (review)

pp. 130-132


Notes on Contributors

pp. 133-134