1. L'Étranger and the Truth
  2. Robert C. Solomon
  3. pp. 141-159
  4. DOI: 10.1353/phl.1978.0025
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  1. The Celebration of Eros: Greek Concepts of Love and Beauty in To the Lighthouse
  2. Jean Wyatt
  3. pp. 160-175
  4. DOI: 10.1353/phl.1978.0028
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  1. Augustine's Confessions: The Concrete Referent
  2. Elizabeth Hanson-Smith
  3. pp. 176-189
  4. DOI: 10.1353/phl.1978.0032
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  1. Love in Women in Love: A Phenomenological Analysis
  2. M. C. Dillon
  3. pp. 190-208
  4. DOI: 10.1353/phl.1978.0018
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  1. Truth and Art in Iris Murdoch's The Black Prince
  2. Peter Lamarque
  3. pp. 209-222
  4. DOI: 10.1353/phl.1978.0020
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  1. Language and Interpretation in Crime and Punishment
  2. Stewart R. Sutherland
  3. pp. 223-236
  4. DOI: 10.1353/phl.1978.0022
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  1. Buñuel's World, or the World and Buñuel
  2. Elliot Rubinstein
  3. pp. 237-248
  4. DOI: 10.1353/phl.1978.0024
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  1. What Becomes of Things on Film?
  2. Stanley Cavell
  3. pp. 249-257
  4. DOI: 10.1353/phl.1978.0027
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  1. Making Sense of Literature (review)
  2. Denis Dutton
  3. pp. 258-265
  4. DOI: 10.1353/phl.1978.0031
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  1. On Being Free (review)
  2. Richard Kamber
  3. pp. 266-267
  4. DOI: 10.1353/phl.1978.0017
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  1. Tolstoy's Major Fiction (review)
  2. Christopher Norris
  3. pp. 267-269
  4. DOI: 10.1353/phl.1978.0019
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  1. Toward a Speech Act Theory of Literary Discourse (review)
  2. D. D. Todd
  3. pp. 269-271
  4. DOI: 10.1353/phl.1978.0021
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  1. La Rochefoucauld. The Art of Abstraction (review)
  2. Patrick Henry
  3. pp. 271-272
  4. DOI: 10.1353/phl.1978.0023
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  1. Nietzsche's Gift (review)
  2. Gary Shapiro
  3. pp. 272-275
  4. DOI: 10.1353/phl.1978.0026
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  1. Coleridge the Moralist (review)
  2. Cedric Watts
  3. pp. 274-275
  4. DOI: 10.1353/phl.1978.0029
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  1. Paper Tigers: The Ideal Fictions of Jorge Luis Borges (review)
  2. Mary Sirridge
  3. pp. 275-276
  4. DOI: 10.1353/phl.1978.0033
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