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  Volume 21, Number 1, March 2011

Table of Contents

Teaching Japanese Noh Drama through Visualizing Space

pp. 1-10

Black Nativity as Valence of Cultural Survival

pp. 11-20

Re-Membering Our Selves: Acting, Critical Pedagogy, and the Plays of Naomi Wallace

pp. 21-32

An Aesthetic of Backstage Labor

pp. 33-48

The Elements of Improvisation: Structural Tools for Spontaneous Theatre

pp. 49-60

Un-"blocking" Hedda and Medea through Feminist "Play" with Traditional Staging Forms

pp. 61-74

The Art of the New-Play Reading: Legitimacy and the New-Play Showcase

pp. 75-84

Transform/ability and the Talking Tomate: Fruitful Discourses and Performances of Bodily Abilities

pp. 85-96

Book Reviews

Theatre Histories: An Introduction, Second Edition (review)

pp. 97-98

Weyward Macbeth: Intersections of Race and Performance (review)

pp. 98-99

Making the Scene: A History of Stage Design and Technology in Europe and the United States (review)

pp. 99-100

Telling History: A Manual for Performers and Presenters of First-Person Narratives, and: Voices from the Back Stairs: Interpreting Servants' Lives at Historic House Museums (review)

pp. 100-102

Tom Stoppard's Arcadia, and: Sarah Kane's Blasted (review)

p. 102

Ghost Light: An Introductory Handbook for Dramaturgy (review)

p. 103

Albee in Performance (review)

pp. 104-105

Theatre Studies (review)

pp. 105-106

Building Your Play: Theory and Practice for the Beginning Playwright (review)

pp. 106-107

Research Areas


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