1. Editor's Column: The Comparatist in Transition
  2. John Burt Foster Jr.
  3. pp. 1-4
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  1. Companions with Time: Milton, Tasso, and Renaissance Dialogue
  2. W. Scott Howard
  3. pp. 5-28
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  1. The Myth of Poetry: On Heidegger's "Hölderlin"
  2. Andreas Grossmann, Donald F. Goodwin
  3. pp. 29-38
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  1. "Directing" the Reader: Khodasevich's "Sorrento Photographs" and Montage
  2. Jason Brooks
  3. pp. 39-51
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  1. Chronos/Chroma: Yellow Figures in Proust's La Prisonnière and Bely's Petersburg
  2. Sabine Doran
  3. pp. 53-75
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  1. Sublime Rupert and Beautiful Lenny: Aesthetics and Temporality in Scorsese's The King of Comedy and Fosse's Lenny
  2. Nikita Nankov
  3. pp. 77-95
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  1. Derrida/Blanchot/Boltanski: Borderdiscourse
  2. Stephen Barker
  3. pp. 96-111
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  1. The "Golden, Holy Cord of Calculation": Collodi's Second Thoughts on Pinocchio
  2. Dan Latimer
  3. pp. 113-134
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  1. Jules Verne in Transylvania
  2. Roxana M. Verona
  3. pp. 135-150
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  1. Deleuze and His Time: A Prophecy Fulfilled
  2. Florin Berindeanu
  3. pp. 151-153
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  1. Theory Matters (review)
  2. Christian Moraru
  3. pp. 153-156
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  1. What Is World Literature? (review)
  2. Elizabeth M. Richmond-Garza
  3. pp. 157-158
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  1. Posts and Pasts: A Theory of Postcolonialism (review)
  2. Alexander Gil Fuentes
  3. pp. 158-160
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  1. Death of a Discipline (review)
  2. Alfred López
  3. pp. 160-162
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  1. Beyond the Color Line and the Iron Curtain: Reading Encounters between Black and Red, 1922-1963 (review)
  2. Thomas J. Garza
  3. pp. 162-163
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  1. Decadent Subjects (review)
  2. Douglas Norman
  3. pp. 163-164
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  1. Stage Fright: Modernism, Anti-Theatricality, and Drama (review)
  2. Anne V. Cirella-Urrutia
  3. p. 165
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  1. Books Received
  2. pp. 166-173
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