1. Picturing the Thing Itself, or Not: Defoe, Painting, Prose Fiction, and the Arts of Describing
  2. Maximillian E. Novak
  3. pp. 1-20
  4. DOI: 10.1353/ecf.1996.0001
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  1. Mme de Graffigny's Lettres d'une Péruvienne: Identifying the First Edition
  2. Jo-Ann McEachern, David Smith
  3. pp. 21-35
  4. DOI: 10.1353/ecf.1996.0011
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  1. Robert Paltock and the Refashioning of "Inkle and Yarico"
  2. Peter Merchant
  3. pp. 37-50
  4. DOI: 10.1353/ecf.1996.0022
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  1. Dangerous Liaisons 2: The Riccoboni-Laclos Sequel
  2. Janie Vanpée
  3. pp. 51-70
  4. DOI: 10.1353/ecf.1996.0033
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  1. "The Tinsel of the Times": Smollett's Argument against Conspicuous Consumption in Humphry Clinker
  2. Susan L. Jacobsen
  3. pp. 71-88
  4. DOI: 10.1353/ecf.1996.0044
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  1. Whither the Defoe Canon?
  2. Maximillian E. Novak
  3. pp. 89-91
  4. DOI: 10.1353/ecf.1996.0074
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  1. Who Wrote What?: The Question of Attribution 2
  2. Maximillian E. Novak, Carolyn Woodward, Barbara Laning Fitzpatrick
  3. pp. 89-100
  4. DOI: 10.1353/ecf.1996.0055
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  1. Who Wrote The Cry?: A Fable for Our Times
  2. Carolyn Woodward
  3. pp. 91-97
  4. DOI: 10.1353/ecf.1996.0075
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  1. "Some Pieces in the British Magazine" and "A Small Part of the Translation of Voltaire's Works": Smollett Attributions
  2. Barbara Laning Fitzpatrick
  3. pp. 97-100
  4. DOI: 10.1353/ecf.1996.0076
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  1. Warren Montag Replies to Carole Fabricant
  2. Warren Montag
  3. pp. 101-102
  4. DOI: 10.1353/ecf.1996.0066
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  1. The Unfinished Manner: Essays on the Fragment in the Later Eighteenth Century (review)
  2. Alistair M. Duckworth
  3. pp. 103-106
  4. DOI: 10.1353/ecf.1996.0007
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  1. Dictionnaire des lettres françaises. Le XVIIIe siècle (review)
  2. Aubrey Rosenberg
  3. pp. 106-107
  4. DOI: 10.1353/ecf.1996.0018
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  1. Children, Parents, and the Rise of the Novel (review)
  2. Ruth Perry
  3. pp. 107-109
  4. DOI: 10.1353/ecf.1996.0029
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  1. Vingt études sur Prévost d'Exilés (review)
  2. Alan J. Singerman
  3. pp. 109-111
  4. DOI: 10.1353/ecf.1996.0040
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  1. Imirce ou la Fille de la nature (review)
  2. Maria João Brilhante
  3. pp. 111-112
  4. DOI: 10.1353/ecf.1996.0051
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  1. Swift's Parody (review)
  2. Brean S. Hammond
  3. pp. 113-114
  4. DOI: 10.1353/ecf.1996.0062
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  1. "Tristram Shandy": A Book for Free Spirits (review)
  2. Helen Ostovich
  3. pp. 114-116
  4. DOI: 10.1353/ecf.1996.0003
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  1. La Perruque de Dom Juan: ou du bon usage des énigmes dans la littérature de l'âge classique (review)
  2. Peter V. Conroy Jr
  3. pp. 116-117
  4. DOI: 10.1353/ecf.1996.0014
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  1. Séminaire Robert Challe. «Les Illustres Françaises» (review)
  2. Franco Piva
  3. pp. 117-119
  4. DOI: 10.1353/ecf.1996.0025
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  1. Le Dialogue dans le roman français de Sorel à Sarraute (review)
  2. Franco Piva
  3. pp. 119-120
  4. DOI: 10.1353/ecf.1996.0036
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  1. The Rhetoric of Suffering: Reading the Book of Job in the Eighteenth Century (review)
  2. Everett Zimmerman
  3. pp. 120-122
  4. DOI: 10.1353/ecf.1996.0047
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  1. The Illustration of "Robinson Crusoe" 1719-1920 (review)
  2. Peter Sabor
  3. pp. 122-124
  4. DOI: 10.1353/ecf.1996.0058
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  1. Contributors
  3. pp. v-vi
  4. DOI: 10.1353/ecf.1996.0060
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