Volume 9, Number 1, October 1996

Table of Contents

Contributors

pp. v-vi
|

Articles

Picturing the Thing Itself, or Not: Defoe, Painting, Prose Fiction, and the Arts of Describing

pp. 1-20
|

Mme de Graffigny's Lettres d'une Péruvienne: Identifying the First Edition

pp. 21-35
|

Robert Paltock and the Refashioning of "Inkle and Yarico"

pp. 37-50
|

Dangerous Liaisons 2: The Riccoboni-Laclos Sequel

pp. 51-70
|

"The Tinsel of the Times": Smollett's Argument against Conspicuous Consumption in Humphry Clinker

pp. 71-88
|

Forum

Who Wrote What?: The Question of Attribution 2

pp. 89-100
|

Whither the Defoe Canon?

pp. 89-91
|

Who Wrote The Cry?: A Fable for Our Times

pp. 91-97
|

"Some Pieces in the British Magazine" and "A Small Part of the Translation of Voltaire's Works": Smollett Attributions

pp. 97-100
|

Warren Montag Replies to Carole Fabricant

pp. 101-102
|

Reviews

The Unfinished Manner: Essays on the Fragment in the Later Eighteenth Century (review)

pp. 103-106
|

Dictionnaire des lettres françaises. Le XVIIIe siècle (review)

pp. 106-107
|

Children, Parents, and the Rise of the Novel (review)

pp. 107-109
|

Vingt études sur Prévost d'Exilés (review)

pp. 109-111
|

Imirce ou la Fille de la nature (review)

pp. 111-112
|

Swift's Parody (review)

pp. 113-114
|

"Tristram Shandy": A Book for Free Spirits (review)

pp. 114-116
|

La Perruque de Dom Juan: ou du bon usage des énigmes dans la littérature de l'âge classique (review)

pp. 116-117
|

Séminaire Robert Challe. «Les Illustres Françaises» (review)

pp. 117-119
|

Le Dialogue dans le roman français de Sorel à Sarraute (review)

pp. 119-120
|

The Rhetoric of Suffering: Reading the Book of Job in the Eighteenth Century (review)

pp. 120-122
|

The Illustration of "Robinson Crusoe" 1719-1920 (review)

pp. 122-124
|