1. Abuse and Atonement: The Passion of Clarissa Harlowe
  2. Peggy Thompson
  3. pp. 255-270
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  1. Obscènes Détails: contre-écriture de la scène sadienne
  2. Éric Bordas
  3. pp. 271-284
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  1. The Marquis de Sade and Courtly Love
  2. Lorna Berman
  3. pp. 285-300
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  1. "Her Blacks, Her Whites and Her Double Face!": Altering Alterity in The Wanderer
  2. Sara Salih
  3. pp. 301-315
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  1. "Those Simple Signs": The Performance of Emotion in Elizabeth Inchbald's A Simple Story
  2. Nora Nachumi
  3. pp. 317-338
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  1. Young Jane Austen and the First Canadian Novel: From Emily Montague to "Amelia Webster" and Love and Freindship
  2. Juliet McMaster
  3. pp. 339-346
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  1. Contexts, Intertexts, Metatexts: Eighteenth-Century Prose by Women
  2. Ros Ballaster
  3. pp. 347-358
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  1. The Work of Writing: Literature and Social Change in Britain 1700-1830 (review)
  2. Trevor Ross
  3. pp. 359-361
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  1. Common Ground: Eighteenth-Century English Satiric Fiction and the Poor (review)
  2. Deborah Ross
  3. pp. 361-363
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  1. Speaking in Hunger: Gender, Discourse, and Consumption in "Clarissa." (review)
  2. Karen Valihora
  3. pp. 363-366
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  1. The Work(s) of Samuel Richardson (review)
  2. Brigitte Glaser
  3. pp. 366-367
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  1. Charlotte Smith: A Critical Biography (review)
  2. Patricia Meyer Spacks
  3. pp. 367-369
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  1. Henry Fielding: A Literary Life (review)
  2. Alison Conway
  3. pp. 369-371
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  1. Locating Swift: Essays from Dublin on the 250th Anniversary of the Death of Jonathan Swift 1667-1745 (review)
  2. Robert Mahony
  3. pp. 371-373
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  1. Intellectual Tacking: Questions of Education in the Works of Isabelle de Charrière (review)
  2. Madeleine Dobie
  3. pp. 373-375
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  1. Jane Austen: The Novels, and: The Author's Inheritance: Henry Fielding, Jane Austen, and the Establishment of the Novel (review)
  2. Mary Waldron
  3. pp. 375-378
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  1. Contributors
  2. pp. v-vi
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