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Table of Contents

Articles

  1. Social Rank, "The Rise of the Novel," and Whig Histories of Eighteenth-Century Fiction
  2. Nicholas Hudson
  3. pp. 563-598
  4. DOI: https://doi.org/10.1353/ecf.2005.0009
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  1. Forging a Romantic Identity: Herbert Croft's Love and Madness and W.H. Ireland's Shakespeare MS
  2. Robert Miles
  3. pp. 599-627
  4. DOI: https://doi.org/10.1353/ecf.2005.0001
  5. restricted access
  1. Staged Insensibility in Burney's Cecilia, Camilla, and The Wanderer: How a Playwright Writes Novels
  2. Emily Hodgson Anderson
  3. pp. 629-648
  4. DOI: https://doi.org/10.1353/ecf.2005.0003
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  1. "The Middle State": Italian Opera in Frances Burney's Cecilia
  2. Leya Landau
  3. pp. 649-682
  4. DOI: https://doi.org/10.1353/ecf.2005.0004
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  1. 'Your Complexion Is So Improved!": A Diagnosis of Fanny Price's "Dis-ease"
  2. Akiko Takei
  3. pp. 683-700
  4. DOI: https://doi.org/10.1353/ecf.2005.0005
  5. restricted access

Review Essay

  1. Gothic Anxieties: Struggling with a Definition
  2. Suzanne Rintoul
  3. pp. 701-709
  4. DOI: https://doi.org/10.1353/ecf.2005.0006
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  1. The Eighteenth-Century Novel (review)
  2. Yota Batsaki
  3. pp. 710-712
  4. DOI: https://doi.org/10.1353/ecf.2005.0008
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  1. Des liseuses en péril: Les Images de lectrices dans les textes de fiction de « La Prétieuse » de l'abbé de Pure à « Madame Bovary » de Flaubert (1656-1856) (review)
  2. Emmanuelle Sauvage
  3. pp. 713-714
  4. DOI: https://doi.org/10.1353/ecf.2005.0000
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  1. Approaches to Teaching Rousseau's "Confessions" and "Rêveries of the Solitary Walker," (review)
  2. Nancy Senior
  3. pp. 715-716
  4. DOI: https://doi.org/10.1353/ecf.2005.0002
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Contributors

  1. Contributors
  3. p. iv
  4. DOI: https://doi.org/10.1353/ecf.2005.0007
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