1. Make It New
  2. Jed Rasula
  3. pp. 713-733
  4. DOI: 10.1353/mod.2010.0043
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  1. Blueprints for Babylon: Modernist Mapping of the London Underground 1913–1939
  2. David Ashford
  3. pp. 735-764
  4. DOI: 10.1353/mod.2010.0047
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  1. “Hive of Words”: The Transnational Poetics of the Eiffel Tower
  2. Tim Conley
  3. pp. 765-777
  4. DOI: 10.1353/mod.2010.0025
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  1. From Lamps to Enlightened Materialism: Naum Gabo and the Problem of Functionalist Design
  2. John Lessard
  3. pp. 779-798
  4. DOI: 10.1353/mod.2010.0029
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  1. Hearing Spaces: Architecture and Acoustic Experience in Modernist German Literature
  2. Kata Gellen
  3. pp. 799-818
  4. DOI: 10.1353/mod.2010.0033
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  1. The Expressive Efficiencies of American Delsarte and Mensendieck Body Culture
  2. Robin Veder
  3. pp. 819-838
  4. DOI: 10.1353/mod.2010.0037
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  1. Cat People
  2. Glenn Willmott
  3. pp. 839-856
  4. DOI: 10.1353/mod.2010.0041
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  1. Buried Pleasure: Doctor Dolittle, Walter Benjamin, and the Nineteenth-Century Child
  2. David L. Pike
  3. pp. 857-875
  4. DOI: 10.1353/mod.2010.0045
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  1. Crise de vers: Adonis’s Dīwān and the Institution of Modernism
  2. Robyn Creswell
  3. pp. 877-898
  4. DOI: 10.1353/mod.2010.0023
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  1. “In the Iron Dead-end (on a Moscow exhibition)”
  2. Iakov Tugendkhol’d, Elitza Dulguerova
  3. pp. 905-915
  4. DOI: 10.1353/mod.2010.0031
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  1. The In Crowd
  2. Jessica Burstein
  3. pp. 917-923
  4. DOI: 10.1353/mod.2010.0035
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  1. Changing Perspectives on Modernism in Australia: Cubism and Australian Art
  2. Catherine Howell
  3. pp. 925-933
  4. DOI: 10.1353/mod.2010.0039
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  1. At the Limit of Literature
  2. Nicholas Jose
  3. pp. 935-940
  4. DOI: 10.1353/mod.2010.0044
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  1. Shell Shock Cinema: Weimar Culture and the Wounds of War (review)
  2. Peter Fritzsche
  3. pp. 941-943
  4. DOI: 10.1353/mod.2010.0026
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  1. Race in Modern Irish Literature and Culture (review)
  2. George Bornstein
  3. pp. 943-945
  4. DOI: 10.1353/mod.2010.0030
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  1. “Not Even Past”: Race, Historical Trauma, and Subjectivity in Faulkner, Larsen, and Van Vechten (review)
  2. Lisa Hinrichsen
  3. pp. 945-947
  4. DOI: 10.1353/mod.2010.0034
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  1. Radical Poetics and Secular Jewish Culture (review)
  2. Stephen Fredman
  3. pp. 947-949
  4. DOI: 10.1353/mod.2010.0038
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  1. The New York School Poets and the Neo-Avant-Garde: Between Radical Art and Radical Chic (review)
  2. Michael Clune
  3. pp. 949-951
  4. DOI: 10.1353/mod.2010.0042
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  1. Infidel Poetics: Riddles, Nightlife, Substance (review)
  2. Drew Daniel
  3. pp. 951-952
  4. DOI: 10.1353/mod.2010.0046
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  1. Counter-Revolution of the Word: The Conservative Attack on Modern Poetry 1945–1960 (review)
  2. Adam Piette
  3. pp. 953-955
  4. DOI: 10.1353/mod.2010.0024
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  1. The American 1930s: A Literary History (review)
  2. Harvey Teres
  3. pp. 955-956
  4. DOI: 10.1353/mod.2010.0049
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  1. Franz Kafka: The Office Writings (review)
  2. Doreen Densky
  3. pp. 957-959
  4. DOI: 10.1353/mod.2010.0028
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  1. The Moot Papers: Faith, Freedom and Society 1938–1947 (review)
  2. Michael Lackey
  3. pp. 959-961
  4. DOI: 10.1353/mod.2010.0032
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  1. Otto Neurath: The Language of the Global Polis (review)
  2. Tyrus Miller
  3. pp. 961-963
  4. DOI: 10.1353/mod.2010.0036
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  1. The Re-Enchantment of the World: Secular Magic in a Rational Age (review)
  2. Katherine Elkins
  3. pp. 963-964
  4. DOI: 10.1353/mod.2010.0040
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  1. Recent Books of Interest
  3. pp. 965-967
  4. DOI: 10.1353/mod.2010.0022
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  1. Introduction to Iakov Tugendkhol’d, “In the Iron Dead-end” (1915)
  2. Elitza Dulguerova
  3. pp. 899-903
  4. DOI: 10.1353/mod.2010.0027
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