1. The Stone Age of the Digital Arts
  2. Roger F. Malina
  3. pp. 463-465
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  1. Director's Statement: A Moment in Time
  2. Bruce Wands
  3. pp. 467-469
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  1. Renderings of Digital Art
  2. Christiane Paul
  3. pp. 471-474
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  1. Christiane Paul's Selections
  2. Christiane Paul
  3. p. 475
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  1. netomat TM
  2. Maciej Wisniewski
  3. p. 476
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  1. Apartment
  2. Martin Wattenberg, Marek Walczak
  3. p. 477
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  1. Glasbead
  2. John Klima
  3. p. 478
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  1. 0100101110101101.org
  2. 01.org
  3. p. 479
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  1. Carnivore
  2. Alex Galloway, RSG
  3. p. 480
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  1. A-Volve
  2. Christa Sommerer, Laurent Mignonneau
  3. p. 481
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  1. Genesis
  2. Eduardo Kac
  3. p. 482
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  1. Timetable
  2. Perry Hoberman
  3. p. 483
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  1. Pockets Full of Memories
  2. George Legrady
  3. p. 484
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  1. Giver of Names
  2. David Rokeby
  3. p. 484
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  1. Ten Myths of Internet Art
  2. Jon Ippolito
  3. pp. 485-487
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  1. Jon Ippolito's Selections
  2. Jon Ippolito
  3. p. 488
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  1. Random Access
  2. Nam June Paik
  3. p. 489
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  1. www.jodi.org
  2. JODI
  3. p. 490
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  1. I/O/D 4: The Web Stalker
  2. I/O/D
  3. p. 491
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  1. Every Icon
  2. John F. Simon
  3. p. 492
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  1. RIOT
  2. Mark Napier
  3. p. 493
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  1. Toywar
  2. Etoy.Corporation
  3. p. 494
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  1. Gallery of CSS Descramblers
  2. David S. Touretzky
  3. p. 495
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  1. They Rule
  2. Josh On
  3. p. 496
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  1. Ephemere
  2. Char Davies
  3. p. 497
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  1. Imaginary Landscapes
  2. John Cage
  3. p. 498
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  1. Past, Present, and Future Tense
  2. Gregor Muir
  3. pp. 499-500
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  1. Gregor Muir's Selections
  2. p. 501
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  1. The World in 24 Hours
  2. Robert Adrian
  3. p. 502
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  1. %Untitled Game
  2. JODI
  3. p. 503
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  1. VinylVideo TM
  2. Gebhard Sengmuller
  3. p. 504
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  1. Les Grands Ensembles
  2. Pierre Huyghe
  3. p. 505
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  1. I/O/D 4: The Web Stalker
  2. I/O/D
  3. p. 506
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  1. Will-N-Testament
  2. Olia Lialina
  3. p. 507
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  1. Magnet TV
  2. Nam June Paik
  3. p. 507
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  1. Microtime Sculptures
  2. Nicolas Schoffer
  3. p. 507
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  1. Suicide Box
  2. Bureau of Inverse Technology
  3. p. 508
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  1. Documenta Done
  2. Vuk Cosic
  3. p. 508
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  1. Ten Dreams of Technology
  2. Steve Dietz
  3. pp. 509-513
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  1. Steve Dietz's Selections
  2. Steve Dietz
  3. p. 514
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  1. Osmose
  2. Char Davies
  3. p. 515
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  1. Electronic Cafe
  2. Kit Galloway, Sherrie Rabinowitz
  3. p. 516
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  1. A-Volve
  2. Christa Sommerer, Laurent Mignonneau
  3. p. 517
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  1. Giver of Names
  2. David Rokeby
  3. p. 518
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  1. life_sharing
  2. 01.org
  3. p. 519
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  1. IO_dencies
  2. Knowbotic Research
  3. p. 520
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  1. Lorna
  2. Lynn Hershman-Leeson
  3. pp. 521-52
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  1. The File Room
  2. Muntadas
  3. p. 521
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  1. Natural Selection
  2. Mongrel
  3. p. 522
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  1. ada'web
  2. Benjamin Weil, Vivian Selbo, Andrea Scott
  3. p. 522
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  1. Art in Digital Times: From Technology to Instrument
  2. Benjamin Weil
  3. pp. 523-526
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  1. Benjamin Weil's Selections
  2. Benjamin Weil
  3. p. 527
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  1. Distant Shoreline
  2. Anthony Discenza
  3. p. 528
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  1. Carnivore
  2. Alex Galloway, RSG
  3. p. 529
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  1. Lorna
  2. Lynn Hershman-Leeson
  3. p. 530
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  1. TGarden
  2. Sponge and FoAM
  3. p. 531
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  1. The Godlove Museum
  2. Entropy8Zuper!
  3. p. 532
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  1. Wave Twisters
  2. Syd Garon, Eric Henry
  3. p. 533
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  1. Video Quartet
  2. Christian Marclay
  3. p. 534
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  1. Video Quartet
  2. Ikeda Ryoji
  3. p. 535
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  1. Global String
  2. Atau Tanaka, Kasper T. Toeplitz
  3. p. 536
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  1. Symphony #2 for Dot Matrix Printers
  2. User
  3. p. 537
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  1. Selections for the Tenth New York Digital Salon
  2. Zentrum fur Kunst und Medientechnologie Karlsruhe
  3. p. 539
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  1. Head Spaces
  2. Bernhard Leitner
  3. p. 540
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  1. Surveillance
  2. Christopher Petit
  3. p. 541
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  1. Poetry Machine
  2. David Link
  3. p. 542
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  1. (dis)LOCATIONS
  2. Del Favero, Dennis, 1953-, Agnes Hegedus, Ian Howard, Susan Norrie, Jeffrey Shaw, Peter Weibel
  3. p. 543
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  1. Absolut DJ
  2. DJ Spooky That Subliminal Kid
  3. p. 544
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  1. Ovalprocess
  2. Oval
  3. p. 544
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  1. Beyond Pages
  2. Masaki Fujihata
  3. p. 545
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  1. Remote Control
  2. Shane Cooper
  3. p. 546
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  1. ASCII History of Art for the Blind
  2. Vuk Cosic
  3. p. 547
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  1. Hostag: The Bachar Tapes
  2. Walid Ra'ad
  3. p. 548
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  1. Selections for the Tenth New York Digital Salon
  2. Yuko Hasegawa
  3. p. 549
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  1. Piano-as image media
  2. Toshio Iwai
  3. p. 550
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  1. Ever Is Over All
  2. Pipilotti Rist
  3. p. 551
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  1. Orchisoid
  2. Masaki Fujihata, Yuji Dougane
  3. p. 552
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  1. SYS*017.ReE.06/PiG-EqN\5*8
  2. Mathieu Briand
  3. p. 553
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  1. Vectorial Elevation
  2. Rafael Lozano-Hemmer
  3. p. 554
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  1. PostPet
  2. Hachiya Kazuhiko
  3. p. 555
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  1. telefunken
  2. Carsten Nicolai
  3. p. 556
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  1. Turbulent
  2. Shirin Neshat
  3. p. 557
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  1. All Is Full of Love
  2. Chris Cunningham
  3. p. 558
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  1. Video Quartet
  2. Ikeda Ryoji
  3. p. 558
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  1. Music and Life
  2. Joel Chadabe
  3. pp. 559-560
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  1. Music and Life
  2. Joel Chadabe
  3. p. 561
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  1. Le Triangle d'Incertitude
  2. Cecile Le Prado
  3. p. 562
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  1. Imaginary Landscapes
  2. John Cage
  3. p. 562
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  1. Fugitives Voix
  2. Daniel Teruggi
  3. p. 562
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  1. India Sound Journal
  2. Hildegard Westerkamp
  3. p. 562
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  1. Two Women
  2. Trevor Wishart
  3. p. 562
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  1. 73 Poems
  2. La Barbara, Joan, 1947-, Kenneth Goldsmith
  3. p. 563
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  1. Sud
  2. Jean-Claude Risset
  3. p. 563
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  1. Saturation Station
  2. DJ Spooky That Subliminal Kid
  3. p. 563
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  1. Gestures
  2. Morton Subotnick
  3. p. 564
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  1. Gestation
  2. Garth Paine
  3. p. 565
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  1. Ten Key Texts on Digital Art: 1970-2000
  2. Lev Manovich
  3. pp. 567-569
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  1. Lev Manovich's Selections
  2. Lev Manovich
  3. pp. 570-575
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  1. Collaborative Curatorial Culmination
  2. Renee Schacht
  3. pp. 577-578
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  1. The Antennae of the Race
  2. Nina Colosi
  3. pp. 579-580
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  1. Exhibiting Artists
  2. p. 582
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  1. Leonardo Network News
  2. pp. 583-586
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