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  Volume 35, Number 5, October 2002

Table of Contents

From: Leonardo

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Exhibiting Artists

p. 582

Leonardo Network News

pp. 583-586

Articles

The Stone Age of the Digital Arts

pp. 463-465

Director's Statement: A Moment in Time

pp. 467-469

Renderings of Digital Art

pp. 471-474

Christiane Paul's Selections

p. 475

netomat TM

p. 476

Apartment

p. 477

Glasbead

p. 478

0100101110101101.org

p. 479

Carnivore

p. 480

A-Volve

p. 481

Genesis

p. 482

Timetable

p. 483

Pockets Full of Memories

p. 484

Giver of Names

p. 484

Ten Myths of Internet Art

pp. 485-487

Jon Ippolito's Selections

p. 488

Random Access

p. 489

www.jodi.org

p. 490

I/O/D 4: The Web Stalker

p. 491

Every Icon

p. 492

RIOT

p. 493

Toywar

p. 494

Gallery of CSS Descramblers

p. 495

They Rule

p. 496

Ephemere

p. 497

Imaginary Landscapes

p. 498

Past, Present, and Future Tense

pp. 499-500

Gregor Muir's Selections

p. 501

The World in 24 Hours

p. 502

%Untitled Game

p. 503

VinylVideo TM

p. 504

Les Grands Ensembles

p. 505

I/O/D 4: The Web Stalker

p. 506

Magnet TV

p. 507

Will-N-Testament

p. 507

Microtime Sculptures

p. 507

Documenta Done

p. 508

Suicide Box

p. 508

Ten Dreams of Technology

pp. 509-513

Steve Dietz's Selections

p. 514

Osmose

p. 515

Electronic Cafe

p. 516

A-Volve

p. 517

Giver of Names

p. 518

life_sharing

p. 519

IO_dencies

p. 520

The File Room

p. 521

Lorna

pp. 521-52

Natural Selection

p. 522

ada'web

p. 522

Art in Digital Times: From Technology to Instrument

pp. 523-526

Benjamin Weil's Selections

p. 527

Distant Shoreline

p. 528

Carnivore

p. 529

Lorna

p. 530

TGarden

p. 531

The Godlove Museum

p. 532

Wave Twisters

p. 533

Video Quartet

p. 534

Video Quartet

p. 535

Global String

p. 536

Symphony #2 for Dot Matrix Printers

p. 537

Selections for the Tenth New York Digital Salon

p. 539

Head Spaces

p. 540

Surveillance

p. 541

Poetry Machine

p. 542

(dis)LOCATIONS

p. 543

Absolut DJ

p. 544

Ovalprocess

p. 544

Beyond Pages

p. 545

Remote Control

p. 546

ASCII History of Art for the Blind

p. 547

Hostag: The Bachar Tapes

p. 548

Selections for the Tenth New York Digital Salon

p. 549

Piano-as image media

p. 550

Ever Is Over All

p. 551

Orchisoid

p. 552

SYS*017.ReE.06/PiG-EqN\5*8

p. 553

Vectorial Elevation

p. 554

PostPet

p. 555

telefunken

p. 556

Turbulent

p. 557

All Is Full of Love

p. 558

Video Quartet

p. 558

Music and Life

pp. 559-560

Music and Life

p. 561

Imaginary Landscapes

p. 562

India Sound Journal

p. 562

Le Triangle d'Incertitude

p. 562

Fugitives Voix

p. 562

Two Women

p. 562

Sud

p. 563

73 Poems

p. 563

Saturation Station

p. 563

Gestures

p. 564

Gestation

p. 565

Ten Key Texts on Digital Art: 1970-2000

pp. 567-569

Lev Manovich's Selections

pp. 570-575

Collaborative Curatorial Culmination

pp. 577-578

The Antennae of the Race

pp. 579-580

Research Areas

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