1. An End of Metaphysics in Mark Twain's "Carnival of Crime"
  2. Joseph Church
  3. pp. 95-111
  4. DOI: 10.1353/alr.2011.0003
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  1. Adding Up William and Henry: The Psychodynamic Geometry of Q.E.D.
  2. Michaela Giesenkirchen
  3. pp. 112-132
  4. DOI: 10.1353/alr.2011.0005
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  1. Novelist-Narrators of the American Dream: The (Meta-)Realistic Chronicles of Cather, Fitzgerald, Roth, and Díaz
  2. Ben Railton
  3. pp. 133-153
  4. DOI: 10.1353/alr.2011.0007
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  1. "A Lot Up For Grabs": The Idiosyncratic, Syncretic Religious Temperament of Kate Chopin
  2. David Z. Wehner
  3. pp. 154-168
  4. DOI: 10.1353/alr.2011.0009
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  1. Americanism in Henry James' "The Modern Warning"
  2. George Monteiro
  3. pp. 169-174
  4. DOI: 10.1353/alr.2011.0000
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  1. The Talented Ripley Hitchcock
  2. Hershel Parker
  3. pp. 175-182
  4. DOI: 10.1353/alr.2011.0001
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  1. Response
  2. Donald Pizer
  3. p. 183
  4. DOI: 10.1353/alr.2011.0002
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  1. Such a Rare Thing: The Art of Sherwood Anderson's Winesburg, Ohio (review)
  2. Christopher Nesmith
  3. pp. 184-185
  4. DOI: 10.1353/alr.2011.0004
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  1. Together By Accident: American Local Color Literature and the Middle Class (review)
  2. Janet Gabler-Hover
  3. pp. 185-187
  4. DOI: 10.1353/alr.2011.0006
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  1. Hamlin Garland: A Life (review)
  2. Quentin Martin
  3. pp. 187-188
  4. DOI: 10.1353/alr.2011.0008
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