restricted access   Volume 62, Number 4, December 2010

Table of Contents

Editorial Comment: Special Issue on Contemporary Women Playwrights

pp. xi-xviii

Forum Essays

That Stinking Hot Summer

pp. 505-510

A Dream of Making

pp. 511-514

Turning Points: Women Playwrights in Contemporary China

pp. 515-519

We Keep Living

pp. 521-527

Still Angry after All These Years, or Valerie Solanas under Your Skin

pp. 529-534

Hair on a Ribbon That Got Away

pp. 535-539

Black Women Playwrights in American Theatre

pp. 541-545

Taking the Long View

pp. 547-551

Creative Ambivalence and Precarious Futures: Women in British Theatre

pp. 553-556

Troubling Gender on Stage and with the Critics

pp. 557-559

Making a Spectacle, Making a Difference

pp. 561-565

Supremacy Ideology Masquerading as Reality: The Obstacle Facing Women Playwrights in America

pp. 567-570

It's All About You: The March Toward Parity in the American Theatre

pp. 571-574


Feeling the Loss of Feminism: Sarah Kane's Blasted and an Experiential Genealogy of Contemporary Women's Playwriting

pp. 575-591

The Gendered Terrain in Contemporary Theatre of War by Women

pp. 593-610

Enough! Women Playwrights Confront the Israeli-Palestinian Conflict

pp. 611-626

Women Playwrights in Egypt

pp. 627-643

Making the Bones Sing: The Feminist History Play, 1976-2010

pp. 645-660

Performance Review

The 2010 New York Fornés Festival (review)

pp. 661-664

Smudge (review)

pp. 664-666

The Book of Grace (review)

pp. 666-668

In the Next Room, or the Vibrator Play (review)

pp. 669-670

In the Wake (review)

pp. 670-673

The Penelopiad (review)

pp. 673-675

Sweet Tea: Black Gay Men of the South (review)

pp. 675-677

As You Like It, and: The Tempest (review)

pp. 677-681

Romeo and Juliet (review)

pp. 681-683

A Midsummer Night's Dream (review)

pp. 683-684

Gin & "It." (review)

pp. 684-686

Book Review

Footpaths and Bridges: Voices from the Native American Women Playwrights Archive (review)

pp. 687-688

Native American Performance and Representation (review)

pp. 688-689

African Women Playwrights (review)

pp. 689-690

Marina Abramović, and: The DbD Experience: Chance Knows What It's Doing! (review)

pp. 691-692

Pina Bausch (review)

pp. 692-693

The Director's Craft: A Handbook for the Theatre (review)

pp. 694-695

Queer Theatre in Canada (review)

pp. 695-696

Selenidad: Selena, Latinos, and the Performance of Memory (review)

pp. 696-697

When Broadway Was the Runway: Theater, Fashion, and American Culture (review)

pp. 697-698

A Spectacle of Suffering: Clara Morris on the American Stage (review)

pp. 698-700

Women Writers of the Provincetown Players: A Collection of Short Works, and: Susan Glaspell and Sophie Treadwell (review)

pp. 700-701

Babylon Girls: Black Women Performers and the Shaping of the Modern (review)

pp. 701-702

Rogue Performances: Staging the Underclasses in Early American Theatre Culture (review)

pp. 703-704

Stagestruck Filmmaker: D. W. Griffith and the American Theatre (review)

pp. 704-705

Molière, the French Revolution, and the Theatrical Afterlife (review)

pp. 705-706

Sound: A Reader in Theatre Practice (review)

pp. 706-707

Index to Volume 62

Index to Volume 62

pp. 713-719