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In this Issue

Table of Contents

  1. That Stinking Hot Summer
  2. Judith Thompson
  3. pp. 505-510
  4. DOI: https://doi.org/10.1353/tj.2010.a413919
  5. restricted access
  1. A Dream of Making
  2. Caridad Svich
  3. pp. 511-514
  4. DOI: https://doi.org/10.1353/tj.2010.a413920
  5. restricted access
  1. Turning Points: Women Playwrights in Contemporary China
  2. Yan Haiping
  3. pp. 515-519
  4. DOI: https://doi.org/10.1353/tj.2010.a413921
  5. restricted access
  1. We Keep Living
  2. Elin Diamond
  3. pp. 521-527
  4. DOI: https://doi.org/10.1353/tj.2010.a413922
  5. restricted access
  1. Still Angry after All These Years, or Valerie Solanas under Your Skin
  2. Tiina Rosenberg
  3. pp. 529-534
  4. DOI: https://doi.org/10.1353/tj.2010.a413923
  5. restricted access
  1. Hair on a Ribbon That Got Away
  2. Catherine Filloux
  3. pp. 535-539
  4. DOI: https://doi.org/10.1353/tj.2010.a413924
  5. restricted access
  1. Black Women Playwrights in American Theatre
  2. Kathy A. Perkins, Sandra L. Richards
  3. pp. 541-545
  4. DOI: https://doi.org/10.1353/tj.2010.a413925
  5. restricted access
  1. Taking the Long View
  2. Brandi Wilkins Catanese
  3. pp. 547-551
  4. DOI: https://doi.org/10.1353/tj.2010.a413926
  5. restricted access
  1. Creative Ambivalence and Precarious Futures: Women in British Theatre
  2. Janelle Reinelt
  3. pp. 553-556
  4. DOI: https://doi.org/10.1353/tj.2010.a413927
  5. restricted access
  1. Troubling Gender on Stage and with the Critics
  2. April De Angelis
  3. pp. 557-559
  4. DOI: https://doi.org/10.1353/tj.2010.a413928
  5. restricted access
  1. Making a Spectacle, Making a Difference
  2. Jill Dolan
  3. pp. 561-565
  4. DOI: https://doi.org/10.1353/tj.2010.a413929
  5. restricted access
  1. Supremacy Ideology Masquerading as Reality: The Obstacle Facing Women Playwrights in America
  2. Sarah Schulman
  3. pp. 567-570
  4. DOI: https://doi.org/10.1353/tj.2010.a413930
  5. restricted access
  1. It's All About You: The March Toward Parity in the American Theatre
  2. Julie Crosby
  3. pp. 571-574
  4. DOI: https://doi.org/10.1353/tj.2010.a413931
  5. restricted access
  1. The Gendered Terrain in Contemporary Theatre of War by Women
  2. Sharon Friedman
  3. pp. 593-610
  4. DOI: https://doi.org/10.1353/tj.2010.a413933
  5. restricted access
  1. Enough! Women Playwrights Confront the Israeli-Palestinian Conflict
  2. Amelia Howe Kritzer
  3. pp. 611-626
  4. DOI: https://doi.org/10.1353/tj.2010.a413934
  5. restricted access
  1. Women Playwrights in Egypt
  2. Nehad Selaiha, Sarah Enany
  3. pp. 627-643
  4. DOI: https://doi.org/10.1353/tj.2010.a413935
  5. restricted access
  1. Making the Bones Sing: The Feminist History Play, 1976-2010
  2. Katherine E. Kelly
  3. pp. 645-660
  4. DOI: https://doi.org/10.1353/tj.2010.a413936
  5. restricted access
  1. The 2010 New York Fornés Festival (review)
  2. Patricia Ybarra
  3. pp. 661-664
  4. DOI: https://doi.org/10.1353/tj.2010.a413947
  5. restricted access
  1. Smudge (review)
  2. Dorothy Chansky
  3. pp. 664-666
  4. DOI: https://doi.org/10.1353/tj.2010.a413938
  5. restricted access
  1. The Book of Grace (review)
  2. Soyica D. Colbert
  3. pp. 666-668
  4. DOI: https://doi.org/10.1353/tj.2010.a413939
  5. restricted access
  1. In the Next Room, or the Vibrator Play (review)
  2. Heidi Schmidt
  3. pp. 669-670
  4. DOI: https://doi.org/10.1353/tj.2010.a413944
  5. restricted access
  1. In the Wake (review)
  2. Lindsey Mantoan
  3. pp. 670-673
  4. restricted access
  1. The Penelopiad (review)
  2. Tina Lambert
  3. pp. 673-675
  4. DOI: https://doi.org/10.1353/tj.2010.a413942
  5. restricted access
  1. Sweet Tea: Black Gay Men of the South (review)
  2. Ann Folino White
  3. pp. 675-677
  4. DOI: https://doi.org/10.1353/tj.2010.a413946
  5. restricted access
  1. As You Like It, and: The Tempest (review)
  2. Dan Venning
  3. pp. 677-681
  4. DOI: https://doi.org/10.1353/tj.2010.a413945
  5. restricted access
  1. Romeo and Juliet (review)
  2. Pamela Decker
  3. pp. 681-683
  4. restricted access
  1. A Midsummer Night's Dream (review)
  2. Coen Heijes
  3. pp. 683-684
  4. restricted access
  1. Gin & "It." (review)
  2. Johnathon D. Boyd
  3. pp. 684-686
  4. DOI: https://doi.org/10.1353/tj.2010.a413937
  5. restricted access
  1. Footpaths and Bridges: Voices from the Native American Women Playwrights Archive (review)
  2. Ann Haugo
  3. pp. 687-688
  4. DOI: https://doi.org/10.1353/tj.2010.a413953
  5. restricted access
  1. Native American Performance and Representation (review)
  2. Theresa J. May
  3. pp. 688-689
  4. DOI: https://doi.org/10.1353/tj.2010.a413956
  5. restricted access
  1. African Women Playwrights (review)
  2. Phyllisa Smith Deroze
  3. pp. 689-690
  4. DOI: https://doi.org/10.1353/tj.2010.a413950
  5. restricted access
  1. Marina Abramović, and: The DbD Experience: Chance Knows What It's Doing! (review)
  2. Judith Hamera
  3. pp. 691-692
  4. DOI: https://doi.org/10.1353/tj.2010.a413952
  5. restricted access
  1. Pina Bausch (review)
  2. Thomas Riccio
  3. pp. 692-693
  4. DOI: https://doi.org/10.1353/tj.2010.a413961
  5. restricted access
  1. The Director's Craft: A Handbook for the Theatre (review)
  2. Melissa Lee
  3. pp. 694-695
  4. DOI: https://doi.org/10.1353/tj.2010.a413954
  5. restricted access
  1. Queer Theatre in Canada (review)
  2. Emily A. Rollie
  3. pp. 695-696
  4. DOI: https://doi.org/10.1353/tj.2010.a413962
  5. restricted access
  1. Selenidad: Selena, Latinos, and the Performance of Memory (review)
  2. Priscilla Peña Ovalle
  3. pp. 696-697
  4. DOI: https://doi.org/10.1353/tj.2010.a413959
  5. restricted access
  1. When Broadway Was the Runway: Theater, Fashion, and American Culture (review)
  2. Lisa Hall Hagen
  3. pp. 697-698
  4. DOI: https://doi.org/10.1353/tj.2010.a413951
  5. restricted access
  1. A Spectacle of Suffering: Clara Morris on the American Stage (review)
  2. Meredith Conti
  3. pp. 698-700
  4. DOI: https://doi.org/10.1353/tj.2010.a413948
  5. restricted access
  1. Babylon Girls: Black Women Performers and the Shaping of the Modern (review)
  2. Jennifer-Scott Mobley
  3. pp. 701-702
  4. DOI: https://doi.org/10.1353/tj.2010.a413958
  5. restricted access
  1. Rogue Performances: Staging the Underclasses in Early American Theatre Culture (review)
  2. Laura L. Mielke
  3. pp. 703-704
  4. DOI: https://doi.org/10.1353/tj.2010.a413957
  5. restricted access
  1. Stagestruck Filmmaker: D. W. Griffith and the American Theatre (review)
  2. Felicia Hardison Londré
  3. pp. 704-705
  4. DOI: https://doi.org/10.1353/tj.2010.a413955
  5. restricted access
  1. Molière, the French Revolution, and the Theatrical Afterlife (review)
  2. Matthew Shifflett
  3. pp. 705-706
  4. DOI: https://doi.org/10.1353/tj.2010.a413963
  5. restricted access
  1. Sound: A Reader in Theatre Practice (review)
  2. Adrian Curtin
  3. pp. 706-707
  4. DOI: https://doi.org/10.1353/tj.2010.a413949
  5. restricted access
  1. Index to Volume 62
  2. pp. 713-719
  3. DOI: https://doi.org/10.1353/tj.2010.a413964
  4. restricted access
  1. Editorial Comment: Special Issue on Contemporary Women Playwrights
  2. Penny Farfan, Lesley Ferris
  3. pp. xi-xviii
  4. DOI: https://doi.org/10.1353/tj.2010.a416212
  5. restricted access