1. Aristocratic Patronage and the Commercial Logic of Yeats’s Responsibilities
  2. Rob Doggett
  3. pp. 1-18
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  1. Fascist Aesthetics: Ezra Pound’s Cultural Negotiations in 1930s Italy
  2. David Barnes
  3. pp. 19-35
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  1. “And I doubt all”: Allegiance and Ambivalence in Gwendolyn Brooks’s “Gay Chaps at the Bar”
  2. Bryan Duncan
  3. pp. 36-57
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  1. “The Power to Enchant That Comes from Disillusion”: W.H. Auden’s Criticism of Magical Poetics
  2. Matthew Mutter
  3. pp. 58-85
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  1. From Pound to Olson: The Avant-Garde Poet as Pedagogue
  2. Alan Golding
  3. pp. 86-106
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  1. Charles Olson Keeps House: Rewriting John Smith for Contemporary America
  2. Paul Jaussen
  3. pp. 107-124
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  1. Frank O’Hara and “French in the Pejorative Sense”
  2. Peter Stoneley
  3. pp. 125-142
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  1. James Schuyler’s Epistolary Poetry: Things, Postcards, Ekphrasis
  2. Daniel Katz
  3. pp. 143-161
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  1. Memorial Poems and the Poetics of Memorializing
  2. Andrew Palmer, Sally Minogue
  3. pp. 162-181
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  1. Of Being George Oppen: A Review of Peter Nicholls’s George Oppen and the Fate of Modernism
  2. Václav Paris
  3. pp. 182-184
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  1. Lyric Queerness
  2. Chris Coffman
  3. pp. 185-189
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  1. Editor’s Introduction: The Worldly Powers of Lyric
  2. Robert L. Caserio
  3. pp. v-ix
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  1. Notes on Contributors
  2. pp. 190-192
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