restricted access   Number 24, 2009

Table of Contents

From the Editor

pp. 4-5

Black is, Black Ain't: A Historic Prelude

pp. 6-15

Birth of the Cool

pp. 16-29

The Art of War, Or Coco Fusco's Occupation

pp. 30-39

Self-Portrait/Self-Vision: The Work of Samuel Fosso

pp. 40-47

The Lady in the Swamp: Art as Political Ephemera

pp. 48-55

The Black Atlantic in the Twenty-First Century: Artistic Passages, Circulations, Revisions

pp. 56-71

Color in the Representation of the South African Townships

pp. 72-81

Traces and Echoes: Mixed Media Paintings of Kalidou Sy

pp. 82-91

Aimé Césaire (1913-2008): Architect of Négritude

pp. 92-97

Aimé Césaire: The Poet's Passion

pp. 98-101

Losing Césaire

pp. 102-107

Nicholas Hlobo in Conversation with Joost Bosland

pp. 108-115

Zineb Sedira: Saphir

pp. 116-119

Net from the Warp

pp. 120-125

The Fragile Persistence of Memory

pp. 126-135

Adger W. Cowans: Running Deep with Photography

pp. 136-143

Lalla Essaydi: An Interview

pp. 144-149

Berni Searle's: Soliloquies on Strength and Solitude

pp. 150-157

Cross-Cultural Patterns: "Cloth is like a DNA swatch"

pp. 158-167

Yinka Shonibare Garden of Love (review)

pp. 168-170

Samta Benyahia Le Polygone et Le Dédale (review)

pp. 171-172