1. From the Editor
  2. Salah M. Hassan
  3. pp. 4-5
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  1. Black is, Black Ain't: A Historic Prelude
  2. Amy Mooney
  3. pp. 6-15
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  1. Birth of the Cool
  2. Trevor Schoonmaker
  3. pp. 16-29
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  1. The Art of War, Or Coco Fusco's Occupation
  2. Jonathan Beller
  3. pp. 30-39
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  1. Self-Portrait/Self-Vision: The Work of Samuel Fosso
  2. Ingrid Hölzl
  3. pp. 40-47
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  1. The Lady in the Swamp: Art as Political Ephemera
  2. Dominique Malaquais
  3. pp. 48-55
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  1. The Black Atlantic in the Twenty-First Century: Artistic Passages, Circulations, Revisions
  2. Peter Erickson
  3. pp. 56-71
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  1. Color in the Representation of the South African Townships
  2. Michael Godby
  3. pp. 72-81
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  1. Traces and Echoes: Mixed Media Paintings of Kalidou Sy
  2. Joanna Grabski
  3. pp. 82-91
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  1. Aimé Césaire (1913-2008): Architect of Négritude
  2. Locksley Edmondson
  3. pp. 92-97
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  1. Aimé Césaire: The Poet's Passion
  2. Édouard Glissant, Christopher Winks
  3. pp. 98-101
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  1. Losing Césaire
  2. Natalie Melas
  3. pp. 102-107
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  1. Nicholas Hlobo in Conversation with Joost Bosland
  2. Joost Bosland
  3. pp. 108-115
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  1. Zineb Sedira: Saphir
  2. Richard Dyer
  3. pp. 116-119
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  1. Net from the Warp
  2. Courtney J. Martin
  3. pp. 120-125
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  1. The Fragile Persistence of Memory
  2. Bettina Malcomess
  3. pp. 126-135
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  1. Adger W. Cowans: Running Deep with Photography
  2. Dowoti Désir
  3. pp. 136-143
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  1. Lalla Essaydi: An Interview
  2. Ray Waterhouse
  3. pp. 144-149
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  1. Berni Searle's: Soliloquies on Strength and Solitude
  2. Laurie Ann Farrell
  3. pp. 150-157
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  1. Cross-Cultural Patterns: "Cloth is like a DNA swatch"
  2. Lydie Diakhaté
  3. pp. 158-167
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  1. Yinka Shonibare Garden of Love (review)
  2. Amanda Gilvin
  3. pp. 168-170
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  1. Samta Benyahia Le Polygone et Le Dédale (review)
  2. Sylvie Couderc
  3. pp. 171-172
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