restricted access   Number 22/23, Spring/Summer 2008

Table of Contents

From the Editor

pp. 8-9

A Shout-Out to Gordon

pp. 10-15

A Hungry Heart Gordon Parks: (November 30, 1912 - March 7, 2006)

pp. 16-19

Architecture as Colonial Discourse: Ângela Ferreira's Maisons Tropicales

pp. 20-27

Exhibitions Apertures and Imaginaries: Lessons from Snap Judgments

pp. 28-37

Looking Both Ways: Art of the Contemporary African Diaspora

pp. 38-49

Re:Print/Re:Present/Re:View: Three Artists Three Projects

pp. 50-59

The Revolution Stripped Bare...

pp. 60-79

Africa Remix: An Immigrant, to Be Looked at from the other Side of Reinforced Glass

pp. 80-87

On Art and Contamination: Performing Authenticity in Global Art Practices

pp. 88-93

And What Are You Looking At?: Formulas for Making the Invisible Visible

pp. 94-103

The Dak'Art Biennale: Exhibiting Contemporary Art and Geopolitics in Africa

pp. 104-113

Mikhael Subotzky

pp. 114-121

The Opposite of Everyday: Wim Botha's Acts of Translation

pp. 122-129

Image and Imagination: Notes on Postmodernism

pp. 130-135

About Beauty

pp. 136-145

Marlene Dumas: Returning Home

pp. 146-151

The Twenty-First Century and the Mega Shows: A Curators' Roundtable

pp. 152-188

Cape '07 (review)

pp. 190-191

Conrad Botes Satan's Choir at the Gates of Heaven (review)

pp. 192-193

Recounting Modernity Continuity and Change: Three Generations of Ethiopian Artists (review)

pp. 194-195

Tapping into the Known Christopher & Obiageli Okigbo (review)

pp. 196-197

Bekele Mekonnen (review)

pp. 198-199

Malick Sidibé Portrait of the Artist as a Portraitist (review)

pp. 200-201

Bruly Bouabre's Alphabet (review)

pp. 202-203

An Eye for the Tropics Tourism, Photography, and Framing the Caribbean (review)

pp. 204-205

How to See a Work of Art in Total Darkness (review)

pp. 206-207