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Table of Contents

  1. The French Text of Wagner's Das Judentum in der Musik
  2. Peter Bloom
  3. pp. 263-283
  4. DOI: https://doi.org/10.1353/not.2010.a404729
  5. restricted access
  1. Prices of Music Monographs and Scores as Reflected in Notes, 2004–2009
  2. Paula Hickner
  3. pp. 284-291
  4. restricted access
  1. Notes for Notes
  2. pp. 292-294
  3. DOI: https://doi.org/10.1353/not.2010.a404728
  4. restricted access
  1. Musical Cultures in Seventeenth-Century Russia (review)
  2. Richard Taruskin
  3. pp. 295-298
  4. restricted access
  1. Musique et geste en France de Lully à la Révolution: études sur la musique, le théâtre et la danse (review)
  2. Deborah Kauffman
  3. pp. 298-300
  4. restricted access
  1. Indian Blues: American Indians and the Politics of Music 1879–1934 (review)
  2. Jeremy J. Strachan
  3. pp. 300-302
  4. restricted access
  1. Barockoper in Leipzig (1693–1720) (review)
  2. Tanya Kevorkian
  3. pp. 302-304
  4. restricted access
  1. Johnny Cash and the Paradox of American Identity (review)
  2. Travis D. Stimeling
  3. pp. 305-306
  4. restricted access
  1. Long Lost Blues: Popular Blues in America, 1850–1920 (review)
  2. Edward Komara
  3. pp. 306-308
  4. restricted access
  1. Blues Before Sunrise: The Radio Interviews (review)
  2. Edward Komara
  3. pp. 308-309
  4. restricted access
  1. The Story of Boogie-Woogie: A Left Hand Like God (review)
  2. Edward A. Berlin
  3. pp. 309-311
  4. restricted access
  1. Good Medicine and Good Music: A Biography of Mrs. Joe Person, Patent Remedy Entrepreneur and Musician (review)
  2. Michael Bonnard
  3. pp. 311-312
  4. restricted access
  1. The Ashgate Research Companion to Experimental Music (review)
  2. Benjamin Piekut
  3. pp. 312-317
  4. restricted access
  1. Musical Modernism at the Turn of the Twenty-First Century (review)
  2. Martin Iddon
  3. pp. 317-320
  4. restricted access
  1. Twelve-Tone Music in America (review)
  2. Peter J. Schmelz
  3. pp. 320-323
  4. restricted access
  1. Analyzing Jazz: A Schenkerian Approach (review)
  2. Dariusz Terefenko
  3. pp. 323-326
  4. restricted access
  1. Franz Liszt (review)
  2. Jonathan Kregor
  3. pp. 326-328
  4. restricted access
  1. Richard Wagner and His World (review)
  2. Stephen Thursby
  3. pp. 328-331
  4. restricted access
  1. August Halm: A Critical and Creative Life in Music (review)
  2. Brien Weiner
  3. pp. 331-333
  4. restricted access
  1. Hans von Bülow: A Life and Times (review)
  2. James L. Zychowicz
  3. pp. 333-335
  4. restricted access
  1. Irony and Sound: The Music of Maurice Ravel (review)
  2. Keith E. Clifton
  3. pp. 335-338
  4. restricted access
  1. The Music of Peggy Glanville-Hicks (review)
  2. Suzanne L. Moulton-Gertig
  3. pp. 338-340
  4. restricted access
  1. Time and Anthony Braxton (review)
  2. Chadwick Jenkins
  3. pp. 340-342
  4. restricted access
  1. Chopin's Polish Ballade: Op. 38 as Narrative of National Martyrdom (review)
  2. David Kasunic
  3. pp. 342-344
  4. restricted access
  1. Ligeti's Stylistic Crisis: Transformation in His Musical Style, 1974–1985 (review)
  2. Péter Laki
  3. pp. 344-346
  4. restricted access
  1. Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 (review)
  2. Balázs Mikusi
  3. pp. 346-348
  4. restricted access
  1. Jean Cras, Polymath of Music and Letters (review)
  2. Helen Julia Minors
  3. pp. 348-350
  4. restricted access
  1. Books Recently Published
  2. Karen R. Little, James Procell
  3. pp. 351-369
  4. restricted access
  1. Classical Scores Library (review)
  2. Eunice Schroeder
  3. pp. 370-374
  4. restricted access
  1. Encyclopedic Discography of Victor Recordings (review)
  2. Gary A. Galo
  3. pp. 374-376
  4. restricted access
  1. International Music Score Library Project/Petrucci Music Library (review)
  2. Casey A. Mullin
  3. pp. 376-381
  4. restricted access
  1. John Cage and Recorded Sound: A Discographical Essay
  2. Rob Haskins
  3. pp. 382-409
  4. DOI: https://doi.org/10.1353/not.2010.a404750
  5. restricted access
  1. Briefly Noted
  2. Rick Anderson
  3. pp. 409-410
  4. restricted access
  1. Bart van Sambeek Piano Editions
  2. Nicholas Temperley
  3. pp. 415-417
  4. restricted access
  1. Nicolas Bernier Motet
  2. John Hajdu Heyer
  3. pp. 417-419
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  1. Communications
  2. p. 430
  3. DOI: https://doi.org/10.1353/not.2010.a404733
  4. restricted access
  1. Statement of Ownership, Management, and Circulation
  2. p. 431
  3. DOI: https://doi.org/10.1353/not.2010.a404732
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  1. Index to Advertisers
  2. p. 432
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  1. Music Received
  2. David Knapp
  3. pp. 420-429
  4. DOI: https://doi.org/10.1353/not.2010.a404731
  5. restricted access