In this Issue
Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers to the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream.
published byDuke University Press
viewing issue47 (Volume 16, Number 2), 2001
Table of Contents
- Kitchen Technologies: Promises and Alibis, 1944-1966
- pp. 1-131
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Copyright © 2001 Camera Obscura.