restricted access   Volume 42, Number 2, Winter 2010

Table of Contents

Editor's Note

Editor's Note: Corporeal (W)RI(gh)TEs: New Perspectives on Bodies as Categories of Research

pp. v-vi


Dialogues: Genesis and Concept of Human Writes

pp. 1-10


Performing Acupuncture on a Necropolitical Body: Choreographer Faustin Linyekula’s Studios Kabako in Kisangani, Democratic Republic of Congo

pp. 11-27

The Body as Archive: Will to Re-Enact and the Afterlives of Dances

pp. 28-48

Kinesthesia, Empathy, and Related Pleasures: An Inquiry into Audience Experiences of Watching Dance

pp. 49-75

Failed Impressions: Diaghilev’s Ballets Russes in America, 1916

pp. 76-108


The Returns of Alwin Nikolais: Bodies, Boundaries and the Dance Canon (review)

pp. 109-113

Foundation: B-Boys, B-Girls, and Hip-Hop Culture in New York, and: From Jazz Funk and Fusion to Acid Jazz: The History of the UK Jazz Dance Scene (review)

pp. 113-116

Creating Our Own: Folklore, Performance, and Identity in Cuzco, Peru, and: Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific (review)

pp. 116-119

Beyond the Gymnasium: Educating the Middle Class Bodies in Classical Germany, and: Rudolf Laban: The Dancer of the Crystal (review)

pp. 119-122

Conference Report

The Congress on Research in Dance Special Conference: International Conference, De Montfort University, Leicester, England, June 25–27, 2009

pp. 123-126

Books Received

Books Received

pp. 127-128