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In this Issue

Table of Contents

  1. Improvisation
  2. Nicolas Collins
  3. pp. 7-9
  4. restricted access
  1. Free Play Meets Gameplay: iGotBand, a Video Game for Improvisers
  2. Joshua Pablo Rosenstock
  3. pp. 11-12
  4. restricted access
  1. Whistle Pig Saloon: Performing Technologies
  2. John Robert Ferguson, Robert van Heumen
  3. pp. 12-13
  4. restricted access
  1. In Strange Paradox: Rationalizing Improvisation
  2. Nick Fox-Gieg, Margaret Schedel
  3. pp. 13-15
  4. restricted access
  1. Multidimensional Scratching, Sound Shaping and Triple Point
  2. Doug Van Nort
  3. pp. 17-18
  4. restricted access
  1. Playing into the Machine: Improvising across the Electronic Abyss
  2. David Rothenberg, Ben Neill
  3. pp. 19-20
  4. restricted access
  1. New Polyphonies: Score Streams, Improvisation and Telepresence
  2. Michael Dessen
  3. pp. 21-23
  4. restricted access
  1. Programming Machines and People: Techniques for Live Improvisation with Electronics
  2. Chapman Welch
  3. pp. 25-28
  4. restricted access
  1. "Comprovisation": The Various Facets of Composed Improvisation within Interactive Performance Systems
  2. Richard Dudas
  3. pp. 29-31
  4. restricted access
  1. Strategies for Managing Timbre and Interaction in Automatic Improvisation Systems
  2. William Hsu
  3. pp. 33-39
  4. restricted access
  1. Piano+: An Approach towards a Performance System Used within Free Improvisation
  2. Sebastian Lexer
  3. pp. 41-46
  4. restricted access
  1. Seeking Out the Spaces Between: Using Improvisation in Collaborative Composition with Interactive Technology
  2. Sarah Nicolls
  3. pp. 47-55
  4. restricted access
  1. Bow Wow: The Interactive Violin Bow and Improvised Music, A Personal Perspective
  2. Jon Rose
  3. pp. 57-66
  4. restricted access
  1. The Building of Boutique Effects Pedals—The "Where" of Improvisation
  2. John Fenn
  3. pp. 67-72
  4. restricted access
  1. Music of Its Own Accord
  2. Aura Satz
  3. pp. 73-78
  4. restricted access
  1. Blowin' in Birdland: Improvisation and the Australian Pied Butcherbird
  2. Hollis Taylor
  3. pp. 79-83
  4. restricted access
  1. Let's Dance Architecture: Improvisation, Technology and Form
  2. Jonathan Impett
  3. pp. 85-88
  4. restricted access
  1. SOLA: Sustainable Orchestras of Laptops and Analog
  2. Perry R. Cook, Scott Smallwood
  3. pp. 89-95
  4. restricted access
  1. On-Line Supplement
  3. p. 97
  4. restricted access
  1. William Fowler Collins: Midday Sunshower
  2. William Fowler Collins
  3. p. 103
  4. restricted access
  1. English: Maribel (or Butch Firbank)
  2. Bonnie Jones, Joe Foster
  3. p. 103
  4. restricted access
  1. F.A.S.T.: Dreams of Waking
  2. Freida Abtan, Shane Turner
  3. pp. 103-104
  4. restricted access
  1. Anna Friz: Our Domestic Radiation II: St. Clarens and Paton
  2. Anna Friz
  3. p. 104
  4. restricted access
  1. Myrmyr: Improvisation at the Meridian Gallery
  2. Agnes Szelag, Marielle Jakobsons
  3. p. 104
  4. restricted access
  1. Nishi Shelton Duo: The Sound Is the Melody 4B
  2. Kanoko Nishi, Aram Shelton
  3. pp. 104-105
  4. restricted access
  1. Thenumber46: The Amen Song
  2. Suzanne Thorpe
  3. p. 105
  4. restricted access
  1. Val-Inc: BlackGhost
  2. Val Jeanty
  3. p. 105
  4. restricted access
  1. Nancy Tobin: DelayToys Berceuses
  2. Nancy Tobin
  3. p. 105
  4. restricted access
  1. Doug Van Nort: Playing with Fire in the Gasholder
  2. Doug Van Nort
  3. pp. 105-106
  4. restricted access
  1. Christina Wheeler: Adventures on the Pink Side of the Moon
  2. Christina Wheeler
  3. p. 106
  4. restricted access
  1. 2010 Author Index: Leonardo Volume 43 and Leonardo Music Journal Volume 20
  3. pp. 107-111
  4. restricted access
  1. Leonardo Network News
  3. p. 112
  4. restricted access
  1. CD Companion Introduction: Sounds Like Now: Improvisation + Technology
  2. Tara Rodgers
  3. pp. 100-101
  4. restricted access

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Volume 19, 2009

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Volume 21, 2011