1. Big appetites, small portions
  2. David Bordwell
  3. pp. 257-264
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  1. Italy in Early American Cinema: Race, Landscape, and the Picturesque (review)
  2. Richard Abel
  3. pp. 265-266
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  1. Lanterne Magique et Film Peint: 400 Ans de Cinéma (review)
  2. Stephen Bottomore
  3. pp. 266-267
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  1. The Virtual Life of Film (review)
  2. Paolo Cherchi Usai
  3. pp. 267-268
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  1. The Man Who Made Movies: W.K.L. Dickson (review)
  2. Raymond Fielding
  3. pp. 268-269
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  1. Travelling Cinema in Europe: Sources and Perspectives (review)
  2. John Fullerton
  3. pp. 269-272
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  1. Americanizing the Movies and Movie-Mad Audiences, 1910–1914 (review)
  2. Sumiko Higashi
  3. pp. 273-274
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  1. British Cinema and Middlebrow Culture in the Interwar Years (review)
  2. Ian Jarvie
  3. pp. 274-278
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  1. Asta Nielsen. Volume 1: Unmögliche Liebe. Asta Nielsen, ihr Kino. Volume 2: Nachtfalter. Asta Nielsen, ihre Filme (review)
  2. Hiroshi Komatsu
  3. pp. 278-279
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  1. Hollywood's War with Poland 1939–1945 (review)
  2. Richard Koszarski
  3. pp. 279-280
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  1. Caught in the Crossfire: Adrian Scott and the Politics of Americanism in Hollywood (review)
  2. Daniel J. Leab
  3. pp. 280-282
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  1. Nickelodeon City: Pittsburgh at the Movies, 1905–1929 (review)
  2. Charles Musser
  3. pp. 282-285
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  1. Reconstructing American Historical Cinema: From Cimarron to Citizen Kane (review)
  2. Robert Sklar
  3. pp. 287-288
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  1. Being Rita Hayworth: Labor, Identity, and Hollywood Stardom (review)
  2. Janet Staiger
  3. pp. 291-292
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  1. Cartoon Modern: Style and Design in Fifties Animation (review)
  2. Kristin Thompson
  3. pp. 292-296
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  1. A publishing phenomenon that begins and ends with Scarecrow Press
  2. Anthony Slide
  3. pp. 298-308
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  1. The lost Feldman files and the loss of direction at the AFI: A personal reflection on archives
  2. Thomas Kemper
  3. pp. 309-312
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  1. The two Vons: the World War I secret government investigation of Erich von Stroheim
  2. Elliot Einzig Porter
  3. pp. 329-346
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  1. A Merry Twinkle in Stalin's Eye: Eric Johnston, Hollywood, and Eastern Europe
  2. Jindriska Blahova
  3. pp. 347-359
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  1. Introduction: Film Book Crisis
  2. Richard Koszarski
  3. pp. 255-256
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  1. Postscripts to James Williamson
  2. Martin Sopocy
  3. pp. 313-328
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