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  Volume 62, Number 3, October 2010

Table of Contents

Theatre and Performance in Russia and Eastern Europe: Today and Yesterday

Re-Envisioning Solidarity: History, Agency, and the Politics of Performance

pp. 333-347

The Art of Playing Patriot: The Polish Stardom of Helena Modjeska

pp. 349-371

Politics and Pornography: Czech Performance in the International Arena

pp. 373-387

Contemporary Russian Drama: The Journey from Stagnation to a Golden Age

pp. 389-420

The Natasha Plays

pp. 421-442

I Am the Machine Gunner

pp. 443-450

Quartett (review)

pp. 451-453

Foreplay (review)

pp. 453-454

The Pee-Wee Herman Show (review)

pp. 454-457

The Lily's Revenge (review)

pp. 457-458

Bloody Bloody Andrew Jackson (review)

pp. 459-460

Ragtime (review)

pp. 460-462

The Walworth Farce (review)

pp. 462-464

Sweet Charity (review)

pp. 464-467

Endgame (review)

pp. 467-469

A Streetcar Named Desire (review)

pp. 469-470

Ordinary Days (review)

pp. 470-472

Compulsion (review)

pp. 472-474

Historical Dictionary of Russian Theater (review)

pp. 475-476

Theatre & Identity in Imperial Russia (review)

pp. 476-477

The Moscow Yiddish Theater: Art on Stage in the Time of Revolution (review)

pp. 477-478

Performing Violence: Literary and Theatrical Experiments of New Russian Drama (review)

pp. 478-480

The New Theatre of the Baltics: from Soviet to Western Influence in Estonia, Latvia and Lithuania (review)

pp. 480-481

Ukrainian Drama and Theater in the Seventeenth and Eighteenth Centuries (review)

pp. 481-482

Grotowski's Empty Room (review)

pp. 482-483

Theatre is More Beautiful than War: German Stage Directing in the Late Twentieth Century (review)

pp. 483-484

Kabuki's Forgotten War: 1931-1945 (review)

pp. 485-486

Nō Theatre Transversal (review)

pp. 486-487

Violence Performed: Local Roots and Global Routes of Conflict (review)

pp. 487-488

Portrayals of Americans on the World Stage: Critical Essays (review)

pp. 488-489

Practice-as-Research in Performance and Screen, and: Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies (review)

pp. 490-491

Playing with Words: The Spoken Word in Artistic Practice (review)

pp. 492-493

Shakespeare and the Problem of Adaptation (review)

pp. 493-494

The Spectator and the Spectacle: Audiences in Modernity and Postmodernity (review)

pp. 494-495

Performing Childhood in the Early Modern Theatre: The Children's Playing Companies (1599-1613) (review)

pp. 495-497

Books Received

pp. 497-501

Research Areas

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