1. Isaac Louverture’s Mémoires: A Nineteenth-Century Representation of Black Masculinity in the Name of the Father
  2. Arthur F. Saint-Aubin
  3. pp. 11-32
  4. DOI: 10.1353/ncf.2010.0034
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  1. “Gestuologie” et littérature: L’Éxemple de Balzac
  2. Véronique Bui
  3. pp. 33-45
  4. DOI: 10.1353/ncf.2010.0006
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  1. Allegory and Exoticism: Balzac’s Allusion to La Liberté guidant le peuple in La Fille aux yeux d’or
  2. Anne Linton
  3. pp. 46-61
  4. DOI: 10.1353/ncf.2010.0012
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  1. Liberté, Égalité, Sororité: Flora Tristan and the Contact Zone Between Race & Gender
  2. Jennifer Law-Sullivan
  3. pp. 62-76
  4. DOI: 10.1353/ncf.2010.0004
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  1. Writing Against Theodicy: Reflections on the Co-Existence of God and Evil in Baudelaire’s Poetry and Critical Essays
  2. Scott M. Powers
  3. pp. 77-98
  4. DOI: 10.1353/ncf.2010.0010
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  1. The Politics of Authorship: The Effects of Literary Property Law on Author-Publisher Relations
  2. Christine Haynes
  3. pp. 99-118
  4. DOI: 10.1353/ncf.2010.0015
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  1. Flaubert: Remembering, Forgetting, Creating
  2. Anne Green
  3. pp. 119-130
  4. DOI: 10.1353/ncf.2010.0019
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  1. Les Trois Romans expérimentaux d’Émile Zola: Lourdes, Rome, et Paris
  2. Kristin Cook-Gailloud
  3. pp. 131-153
  4. DOI: 10.1353/ncf.2010.0024
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  1. Les Passions du récit à l’opéra. Rhétorique de la transposition dans Carmen, Mireille, Manon (review)
  2. Nelly Furman
  3. pp. 154-155
  4. DOI: 10.1353/ncf.2010.0030
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  1. Dances with Darwin, 1875–1910: Vernacular Modernity in France (review)
  2. Paul Matthew St. Pierre
  3. pp. 156-157
  4. DOI: 10.1353/ncf.2010.0008
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  1. The Culture of Diagram (review)
  2. Martin Jay
  3. pp. 157-159
  4. DOI: 10.1353/ncf.2010.0018
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  1. The Blind in French Society from the Middle Ages to the Century of Louis Braille (review)
  2. William Paulson
  3. pp. 160-161
  4. DOI: 10.1353/ncf.2010.0023
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  1. L’Écrivain imaginaire. Scénographies auctoriales à l’époque romantique (review)
  2. Anthony Glinoer
  3. pp. 162-164
  4. DOI: 10.1353/ncf.2010.0028
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  1. Poétique de la maison-musée (1847–1898). Du réalisme balzacien à l’œuvre d’art « décadente » (review)
  2. Janice Best
  3. pp. 165-166
  4. DOI: 10.1353/ncf.2010.0000
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  1. A Social Laboratory for Modern France. The Musée Social and the Rise of the Welfare State (review)
  2. Isabel DiVanna
  3. pp. 166-167
  4. DOI: 10.1353/ncf.2010.0007
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  1. La Modernité et la métropole: Pour une lecture de l’espace urbain au XIXe siècle (review)
  2. Michael Marrinan
  3. pp. 167-171
  4. DOI: 10.1353/ncf.2010.0013
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  1. Romantic Paris: Histories of a Cultural Landscape, 1800–1850 (review)
  2. Jelena Jovicic
  3. pp. 171-172
  4. DOI: 10.1353/ncf.2010.0017
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  1. Memory, Metaphors, and Meaning: Reading Literary Texts (review)
  2. Suzanne Nash
  3. pp. 172-173
  4. DOI: 10.1353/ncf.2010.0021
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  1. The Violence of Modernity: Baudelaire, Irony, and the Poetics of Form (review)
  2. William Olmsted
  3. pp. 173-176
  4. DOI: 10.1353/ncf.2010.0026
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  1. Unspeakable Secrets and the Psychoanalysis of Culture (review)
  2. Lisa Downing
  3. pp. 176-177
  4. DOI: 10.1353/ncf.2010.0032
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  1. Poétique des lieux: Enquête sur les mémoires féminins de l’aristocratie française (1789–1848) (review)
  2. Lisa R. Van Zwoll
  3. pp. 177-178
  4. DOI: 10.1353/ncf.2010.0022
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  1. Reconstructing Woman: From Fiction to Reality in the Nineteenth-Century French Novel (review)
  2. Juliana Starr
  3. p. 179
  4. DOI: 10.1353/ncf.2010.0027
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  1. Female Journeys: Autobiographical Expressions by French and Italian Women (review)
  2. Sarah E. Mosher
  3. pp. 180-181
  4. DOI: 10.1353/ncf.2010.0033
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  1. ‘Surfacing’ the Politics of Desire: Literature, Feminism, and Myth (review)
  2. Janell Watson
  3. pp. 181-182
  4. DOI: 10.1353/ncf.2010.0005
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  1. Inventing the Israelite: Jewish Fiction in Nineteenth-Century France (review)
  2. Sam W. Bloom
  3. pp. 182-184
  4. DOI: 10.1353/ncf.2010.0011
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  1. Splendeurs de la médiocrité, une idée du roman (review)
  2. Allan Curnew
  3. pp. 184-185
  4. DOI: 10.1353/ncf.2010.0016
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  1. La Littérature frénétique (review)
  2. Maxime Prévost
  3. pp. 186-187
  4. DOI: 10.1353/ncf.2010.0020
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  1. Prose Poems of the French Enlightenment: Delimiting Genre (review)
  2. Steven Crawford
  3. pp. 188-190
  4. DOI: 10.1353/ncf.2010.0025
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  1. Parole, personnage et sujet dans les récits littéraires de Benjamin Constant (review)
  2. Gerald Izenberg
  3. pp. 190-191
  4. DOI: 10.1353/ncf.2010.0031
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  1. Journal (review)
  2. Wendelin Guentner
  3. pp. 191-193
  4. DOI: 10.1353/ncf.2010.0003
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  1. Madame Bovary at the Movies: Adaptation, Ideology, Context (review)
  2. Kate Griffiths
  3. pp. 194-195
  4. DOI: 10.1353/ncf.2010.0009
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  1. Victor Hugo on Things that Matter (review)
  2. Katherine Lunn-Rockliffe
  3. pp. 195-196
  4. DOI: 10.1353/ncf.2010.0014
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  1. Rimbaud: The Cost of Genius (review)
  2. Candice Nicolas
  3. pp. 196-197
  4. DOI: 10.1353/ncf.2010.0029
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  1. Œuvres complètes, 1845–1846 et 1857 (review)
  2. Arline Cravens
  3. pp. 197-199
  4. DOI: 10.1353/ncf.2010.0001
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