restricted access   Volume 91, Number 3, August 2010

Table of Contents

Looking Back over the 'Missa L'Ardant Desir': Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music

pp. 311-342

Revisiting the Known and Unknown Misprints in Purcell's 'Dioclesian'

pp. 343-356

Courting Gentility: Handel at the Bank of England

pp. 357-375

'It just reeks of Italianism': Traces of Italian Opera in 'A Life for the Tsar'

pp. 376-405


High Tea at Merlinford: Remembering Lord Berners

pp. 406-411


Verborgene Klänge. Inventar der handschriftlich überlieferten Musik aus den Lüneburger Frauenklöstern bis ca. 1550. Mit einer Darstellung der Musik-Ikonographie von Ulrike Volkhardt (review)

pp. 412-413

Untersuchungen zur Rationalität der Musik in Mittelalter und Früher Neuzeit, vol. i: Das platonische Paradigma: Untersuchungen zur Rationalität der Musik vom 12. bis zum 16.Jahrhundert (review)

pp. 413-416

Early Music Printing and Publishing in the Iberian World (review)

pp. 416-420

Music and the Myth of Arcadia in Renaissance Italy (review)

pp. 420-422

Ancient Rome in Early Opera (review)

pp. 422-424

Frederick the Great and his Musicians: The Viola da Gamba Music of the Berlin School (review)

pp. 424-426

The Great Transformation of Musical Taste: Concert Programming from Haydn to Brahms (review)

pp. 426-429

Music, Philosophy, and Modernity (review)

pp. 429-431

Harmonious Triads: Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany (review)

pp. 431-435

Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late Nineteenth-Century Vienna (review)

pp. 436-438

The Musical Voyager: Berlioz in Europe, and: Berlioz: Scenes from the Life and Work (review)

pp. 438-441

An Introduction to the Dramatic Works of Giacomo Meyerbeer: Operas, Ballets, Cantatas, Plays (review)

pp. 441-444

Debussy's Late Style (review)

pp. 444-446

Kunstwerk der Zukunft: Richard Wagner und Zürich (1849-1858) (review)

pp. 447-449

The Ballet Collaborations of Richard Strauss (review)

pp. 449-451

Elgar Studies (review)

pp. 451-455

Imogen Holst: A Life in Music (review)

pp. 455-457

Messiaen's Contemplations of Covenant and Incarnation: Musical Symbols of Faith in the Two Great Piano Cycles of the 1940s, and: Messiaen's Explorations of Love and Death: Musical Signification in the 'Tristan Trilogy' and Three Related Song Cycles, and: Messiaen's Interpretations of Holiness and Trinity: Echoes of Medieval Theology in the Oratorio, Organ Meditations and Opera (review)

pp. 457-462

Filmmusik: Beiträge zu ihrer Theorie und Vermittlung (review)

pp. 462-465

Music and Architecture (review)

pp. 465-467

Listening (review)

pp. 467-471

The Rock Canon: Canonical Values in the Reception of Rock Albums (review)

pp. 471-473

Jewish Identities: Nationalism, Racism, and Utopianism in Twentieth-Century Music (review)

pp. 473-475

'Music & Letters' Awards

p. 477

Authors of Articles in this Issue

p. 477

Books Received

pp. 478-479