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  Volume 11, Number 1, Spring 1998

Table of Contents

From: The Yale Journal of Criticism

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Notes on Contributors

pp. 309-312 | DOI: 10.1353/yale.1998.0004


British and American Art at Yale: Papers in Honor of Jules D. Prown: Introduction

pp. 3-7 | DOI: 10.1353/yale.1998.0015

Comments From the Symposium Dinner, October 20, 1995

pp. 9-10 | DOI: 10.1353/yale.1998.0019

The Ashes of Germanicus and the Skin of Painting: Sublimation and Money in Benjamin West's Agrippina

pp. 11-27 | DOI: 10.1353/yale.1998.0017

Le Corset: A Material Culture Analysis of a Deluxe French Book

pp. 29-38 | DOI: 10.1353/yale.1998.0023

Looking and Difference in the Abstract Portraits of Charles Demuth and Duncan Grant

pp. 39-51 | DOI: 10.1353/yale.1998.0006

Copley and the Case of the Blue Dress

pp. 53-67 | DOI: 10.1353/yale.1998.0014

The Dead Bride

pp. 69-78 | DOI: 10.1353/yale.1998.0007

Mind in Matter in History: Viewing The Greek Slave

pp. 79-83 | DOI: 10.1353/yale.1998.0012

Making Furniture in the Salisbury Iron Region: The Case of Bates How

pp. 85-93 | DOI: 10.1353/yale.1998.0005

Seeing Coney Island, Seeing Culture: Joseph Stella's Battle of Lights

pp. 95-101 | DOI: 10.1353/yale.1998.0011

Who's Sitting at the Table?: William Sidney Mount's After Dinner 1834

pp. 103-109 | DOI: 10.1353/yale.1998.0020

John Quidor and the Demonic Imagination: Ichabod Crane Flying from the Headless Horseman (c.1828)

pp. 111-118 | DOI: 10.1353/yale.1998.0002

"Type of a Back Civilization": Worthington Whittredge's Santa Fe

pp. 119-128 | DOI: 10.1353/yale.1998.0016

FLASH! The Speed Graphic Camera

pp. 129-137 | DOI: 10.1353/yale.1998.0009

Art in the Atomic Age: Ben Shahn's Stop H-Bomb Tests

pp. 139-158 | DOI: 10.1353/yale.1998.0013

Reading Spaces

Looking and Touching: Spectacle and Collection in Sontag's Volcano Lover

pp. 159-165 | DOI: 10.1353/yale.1998.0018

Two Women Dancing

pp. 167-174 | DOI: 10.1353/yale.1998.0001

The Americanization of Clarissa

pp. 177-196 | DOI: 10.1353/yale.1998.0025

"Baby's Picture is Always Treasured": Eugenics and the Reproduction of Whiteness in the Family Photograph Album

pp. 197-220 | DOI: 10.1353/yale.1998.0022

Forgetting Lot's Wife: Artaud, Spectatorship, and Catastrophe

pp. 221-238 | DOI: 10.1353/yale.1998.0008

Pasolini on Terra Sancta : Towards a Theology of Film

pp. 239-258 | DOI: 10.1353/yale.1998.0024

The Horizontal Walk: Marilyn Monroe, CinemaScope, and Sexuality

pp. 259-288 | DOI: 10.1353/yale.1998.0003


Language Lessons: Linguistic Colonialism, Linguistic Postcolonialism, and the Early Modern English Nation

pp. 289-299 | DOI: 10.1353/yale.1998.0010

Prospects for Global English: Back to BASIC?

pp. 301-307 | DOI: 10.1353/yale.1998.0021

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