restricted access   Volume 3, Issue 2, Autumn 2010

Table of Contents

Special Issue on Science Fiction and Music

Philip Hayward



pp. 181-182

Sounds of The Silent Star: The context, score and thematics of the 1960 film adaptation of Stanisław Lem's novel Astronauci

pp. 183-200

Straining the future: Battlefield Earth, Space Jazz and the sounds of Scientology

pp. 201-216

Point of audition: Sound and music in Cloverfield

pp. 217-237

Proto-electronica vs. martial marches: Doctor Who, Stingray, Thunderbirds and the music of 1960s' British sf television

pp. 239-252

Music of other spheres: Diagonal time and metaphysics in Lost

pp. 253-270


Live and kicking: a meta-critical discourse on television and television studies

pp. 271-285

Drawn to television: American animated sf series of the 1980s

pp. 287-300

Review essay

David Cronenberg: Author or Film-Maker?, and: Videodrome. Studies in the Horror Film, and: The Cinema of David Cronenberg: From Baron of Blood to Cultural Hero (review)

pp. 301-307

Book reviews

Science Fiction Cinema: Between Fantasy and Reality (review)

pp. 309-311

American Science Fiction: Film and Television (review)

pp. 311-313

Donnie Darko (review)

pp. 313-316

The Cult Film Reader (review)

pp. 316-319

In Godzilla's Footsteps: Japanese Pop Culture Icons on the Global Stage (review)

pp. 320-323

DVD reviews

La Antena (The Aerial) (review)

pp. 325-328

Phase IV (review)

pp. 328-331

Planet Terror (review)

pp. 331-335

ZPG: Zero Population Growth (review)

pp. 335-338


About the contributors

pp. 339-341


Index to Volume 3

pp. 343-344