1. Straining the future: Battlefield Earth, Space Jazz and the sounds of Scientology
  2. Mark Evans
  3. pp. 201-216
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  1. Point of audition: Sound and music in Cloverfield
  2. Rebecca Coyle
  3. pp. 217-237
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  1. Proto-electronica vs. martial marches: Doctor Who, Stingray, Thunderbirds and the music of 1960s' British sf television
  2. Lee Barron
  3. pp. 239-252
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  1. Music of other spheres: Diagonal time and metaphysics in Lost
  2. Isabella van Elferen
  3. pp. 253-270
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  1. Live and kicking: a meta-critical discourse on television and television studies
  2. Christina Adamou, Simone Knox
  3. pp. 271-285
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  1. Science Fiction Cinema: Between Fantasy and Reality (review)
  2. Andrew M. Butler
  3. pp. 309-311
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  1. American Science Fiction: Film and Television (review)
  2. Christine Cornea
  3. pp. 311-313
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  1. Donnie Darko (review)
  2. Patrick B. Sharp
  3. pp. 313-316
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  1. The Cult Film Reader (review)
  2. Stacey Abbott
  3. pp. 316-319
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  1. In Godzilla's Footsteps: Japanese Pop Culture Icons on the Global Stage (review)
  2. Sharalyn Orbaugh
  3. pp. 320-323
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  1. La Antena (The Aerial) (review)
  2. Mariano Paz
  3. pp. 325-328
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  1. Phase IV (review)
  2. Graham J. Murphy
  3. pp. 328-331
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  1. Planet Terror (review)
  2. Javier A. Martinez
  3. pp. 331-335
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  1. ZPG: Zero Population Growth (review)
  2. James Leggott
  3. pp. 335-338
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  1. Index to Volume 3
  2. pp. 343-344
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  1. Introduction
  2. Philip Hayward
  3. pp. 181-182
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  1. Drawn to television: American animated sf series of the 1980s
  2. Lincoln Geraghty
  3. pp. 287-300
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  1. About the contributors
  2. pp. 339-341
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