1. Kicking It up Beyond the Casual: Fresh Perspectives in Young Adult Literature
  2. David Cappella
  3. pp. 1-10
  4. DOI: 10.1353/sdn.2010.0008
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  1. Has Tomomi Lost Her Mind?: Psychosis, Femininity, and the Universal Appeal of Kazumi Yumoto’s The Spring Tone
  2. Linda Belau
  3. pp. 11-27
  4. DOI: 10.1353/sdn.2010.0010
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  1. Teenage Wasteland: Defeating the Machine in Daniel Pinkwater’s Chicago
  2. Michelle Robinson
  3. pp. 48-65
  4. DOI: 10.1353/sdn.2010.0001
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  1. Power and Polyphony in Young Adult Literature: Rob Thomas’s Slave Day
  2. Sara K. Day
  3. pp. 66-83
  4. DOI: 10.1353/sdn.2010.0003
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  1. Joseph Bruchac’s “Dark” Novels: Confronting the Terror of Adolescence
  2. Michelle Pagni Stewart
  3. pp. 84-98
  4. DOI: 10.1353/sdn.2010.0005
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  1. “The Language of Pictures”: Visual Representation and Spectatorship in Philip Pullman’s His Dark Materials
  2. Amanda M. Greenwell
  3. pp. 99-120
  4. DOI: 10.1353/sdn.2010.0007
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  1. The Ideology of the Wissenvine: Critique and Closure in Zilpha Keatley Snyder’s Green-sky Trilogy
  2. Rob McAlear
  3. pp. 139-153
  4. DOI: 10.1353/sdn.2010.0011
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  1. “Quick, Ethel, Your Rifle!”: Portable Britishness and Flexible Gender Roles in G.A. Henty’s Books for Boys
  2. Deirdre H. McMahon
  3. pp. 154-172
  4. DOI: 10.1353/sdn.2010.0000
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  1. Nancy Drew’s Body: The Case of the Autonomous Female Sleuth
  2. Jennifer Woolston
  3. pp. 173-184
  4. DOI: 10.1353/sdn.2010.0002
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  1. Solving the Crime of Modernity: Nancy Drew in 1930
  2. Amy Boesky
  3. pp. 185-201
  4. DOI: 10.1353/sdn.2010.0004
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  1. Twilight is Not Good for Maidens: Gender, Sexuality, and the Family in Stephenie Meyer’s Twilight Series
  2. Anna Silver
  3. pp. 121-138
  4. DOI: 10.1353/sdn.2010.0009
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  1. Notes on Contributors
  2. pp. 202-203
  3. DOI: 10.1353/sdn.2010.0006
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