Volume 62, Number 1, 2010

Table of Contents

Editor's Note

p. vii
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The Converso Perspective in El aucto de los desposorios de José

pp. 1-14
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Royal Obligation and the "Uncontrolled Female" in Ana Caro's El conde Partinuplés

pp. 15-30
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The Body Politic and Its Parts in El médico de su honra

pp. 31-46
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Dating Calderón's Autobiographical Ballad "Curiosísima señora"

pp. 47-63
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Songs, Song-Texts, and Lovesickness in Agustín Moreto's Yo por vos y vos por otro

pp. 65-78
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A Study of Women's Intelligence in Moreto's No puede ser

pp. 79-102
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Damas indias: America's Iconic Body and the Wars of Conquest in the Spanish Comedia

pp. 103-122
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Recruiting the Literary Tradition: Lope de Vega's Fuenteovejuna as Cultural Weapon during the Spanish Civil War

pp. 123-143
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Reviews

Il romance spagnolo in scena. Strategie di riscrittura nel teatro di Luis Vélez de Guevara (review)

pp. 145-146
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Vida teatral en Córdoba (1602-1694): autores de comedias, representantes y arrendadores. Estudio y documentos (review)

pp. 147-149
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The Spanish Golden Age in English: Perspectives on Performance (review)

pp. 150-152
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Reinar después de morir (review)

pp. 153-154
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El lirio y el azucena (review)

pp. 155-156
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