1. The Converso Perspective in El aucto de los desposorios de José
  2. Charles Patterson
  3. pp. 1-14
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  1. Royal Obligation and the "Uncontrolled Female" in Ana Caro's El conde Partinuplés
  2. Jonathan Ellis
  3. pp. 15-30
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  1. The Body Politic and Its Parts in El médico de su honra
  2. Ryan Prendergast
  3. pp. 31-46
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  1. Dating Calderón's Autobiographical Ballad "Curiosísima señora"
  2. Geoffrey M. Voght
  3. pp. 47-63
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  1. Songs, Song-Texts, and Lovesickness in Agustín Moreto's Yo por vos y vos por otro
  2. George Yuri Porras
  3. pp. 65-78
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  1. A Study of Women's Intelligence in Moreto's No puede ser
  2. Tania de Miguel Magro
  3. pp. 79-102
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  1. Damas indias: America's Iconic Body and the Wars of Conquest in the Spanish Comedia
  2. Benito Quintana
  3. pp. 103-122
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  1. Recruiting the Literary Tradition: Lope de Vega's Fuenteovejuna as Cultural Weapon during the Spanish Civil War
  2. Jason T. Parker
  3. pp. 123-143
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  1. Il romance spagnolo in scena. Strategie di riscrittura nel teatro di Luis Vélez de Guevara (review)
  2. Frank P. Casa
  3. pp. 145-146
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  1. Vida teatral en Córdoba (1602-1694): autores de comedias, representantes y arrendadores. Estudio y documentos (review)
  2. José Manuel de Bernardo Ares
  3. pp. 147-149
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  1. The Spanish Golden Age in English: Perspectives on Performance (review)
  2. Susan Paun de García
  3. pp. 150-152
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  1. Reinar después de morir (review)
  2. Elizabeth Rhodes
  3. pp. 153-154
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  1. El lirio y el azucena (review)
  2. Lucas A. Marchante-Aragón
  3. pp. 155-156
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  1. Editor's Note
  2. Edward H. Friedman
  3. p. vii
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