In this Issue
Established in 1977 as the definitive journal of its field, Computer Music Journal (CMJ) covers a wide range of topics such as digital audio signal processing, electroacoustic composition, new musical controllers, and music information retrieval. With cutting-edge scholarship accompanied by interviews with leading composers and informative reviews of products and publications, CMJ is an indispensable resource for composers, performers, scientists, engineers, and computer enthusiasts interested in computer-generated sound and music.
published by
The MIT Pressviewing issue
Volume 34, Number 3, Fall 2010Editorial Board
Editor
Douglas Keislar
Managing Editor
Keeril Makan
Associate Editors
James Harley
Colby Leider
Brett Terry
George Tzanetakis
Assistant Editor
Margaret Cahill
Editorial Consultants
Tae Hong Park
Lonce Wyse
Editorial Interns
Kari Besharse
Nina Young
Copyeditor
Frédérique Courard-Hauri
Production
Aptara, Inc.
Editorial Advisory Board
Pierre Boulez, Paris, France
John Chowning, Stanford, California, USA
Max V. Mathews, Stanford, California, USA
Marvin Minsky, Cambridge, Massachusetts, USA
F. Richard Moore, La Jolla, California, USA
Jean-Claude Risset, Marseille, France
Yuji Takahashi, Tokyo, Japan
Former Editors
John Snell (Founding Editor, 1976–
1978)
John Strawn (Associate Editor, 1977–
1982)
Curtis Abbott (Editor, 1978)
Curtis Roads (Editor, 1978–1989;
Associate Editor, 1989–2000)
Stephan Kaske (Contributing Editor,
1984–1985)
Thom Blum (Associate Editor, 1987–
1996)
Stephen Travis Pope (Editor, 1988–
1997; Associate Editor, 1997–1999)
Anne Deane (Associate Editor, 1997–
1999)
Chrysa Prestia (Assistant Editor,
1998–1999; Managing Editor,
1999–2003)
Friends of CMJ
Lifetime member:
Pro Musica Viva, Maria Strecker-Daelen Stiftung
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Copyright © 2010 Massachusetts Institute of Technology.