1. "Making People Think Is What It's All About": An Interview with Mike Leigh
  2. Bert Cardullo
  3. pp. 1-18
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  1. Race, Politics, and Censorship: D. W. Griffith's The Birth of a Nation in France, 1916-1923
  2. Melvyn Stokes
  3. pp. 19-38
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  1. Inside Inside Man: Spike Lee and Post-9/11 Entertainment
  2. Lori Harrison-Kahan
  3. pp. 39-58
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  1. "I Wanted You to Be Present": Guilt and the History of Violence in Michael Haneke's Caché
  2. Ipek A. Celik
  3. pp. 59-80
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  1. Cinema 3.0: The Interactive-Image
  2. Kristen Daly
  3. pp. 81-98
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  1. June Mathis's Valentino Scripts: Images of Male "Becoming" After the Great War
  2. Thomas J. Slater
  3. pp. 99-120
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  1. For Robin Wood, 1931-2009
  2. Christopher Sharrett
  3. pp. 121-125
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  1. Sundance Film Festival: Missing Fathers and Women Without Men January 21-31, 2010, Park City, Utah
  2. Chris Lippard
  3. pp. 126-130
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  1. In the Centrifuge of History
  2. Ravi Vasudevan
  3. pp. 135-140
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  1. Film Historiography as Theory of the Film Subject: A Case Study
  2. Valentina Vitali
  3. pp. 141-146
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  1. Going South: On Documentary as a Form of Cognitive Geography
  2. Michael Chanan
  3. pp. 147-154
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  1. Film and Digital Video as Testimony of Chinese Modernity: Trauma, History, and Writing
  2. Esther C. M. Yau
  3. pp. 154-162
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  1. Writing on Film History, Far from the Canon
  2. Fatih Özgüven
  3. pp. 163-165
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  1. Palestinian Cinema: Landscape, Trauma, and Memory (review)
  2. Linda Dittmar
  3. pp. 167-169
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  1. Signal and Noise: Media, Infrastructure, and Urban Culture in Nigeria (review)
  2. Peter J. Bloom
  3. pp. 170-172
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  1. Playing to the World's Biggest Audience: The Globalization of Chinese Film and TV (review)
  2. Jing Jing Chang
  3. pp. 173-175
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  1. Indian Cinema in the Time of Celluloid: From Bollywood to the Emergency (review)
  2. Shanti Kumar
  3. pp. 176-178
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  1. Turkish Cinema: Identity, Distance and Belonging (review)
  2. Dina Iordanova
  3. pp. 179-181
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  1. Erratum
  2. p. iv
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  1. Introduction
  2. Ahmet Gürata, Louise Spence
  3. pp. 131-135
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  1. Contributors
  2. p. 166
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  1. Contributors
  2. p. 181
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