1. Liu's Ethics of the Database
  2. Vicki Callahan
  3. DOI: 10.1353/pmc.2009.0005
  4. restricted access View |
  1. From Capital to Karma: James Cameron's Avatar
  2. Ken Hillis
  3. DOI: 10.1353/pmc.2009.0007
  4. restricted access View |
  1. "Time is Illmatic": A Critical Retrospective on Nas's Groundbreaking Debut
  2. Alessandro Porco
  3. DOI: 10.1353/pmc.2009.0009
  4. restricted access View |
  1. Matches, in Our Time
  2. Patrick F. Durgin
  3. DOI: 10.1353/pmc.2009.0001
  4. restricted access View |
  1. Three Poems
  2. Grzegorz Wróblewski, Agnieszka Pokojska
  3. DOI: 10.1353/pmc.2009.0002
  4. restricted access View |
  1. The Queer Spaces and Fluid Bodies of Nazario's Anarcoma
  2. Michael Harrison
  3. DOI: 10.1353/pmc.2009.0003
  4. restricted access View |
  1. Self-Portrait in a Context Mirror: Pain and Quotation in the Conceptual Writing of Craig Dworkin
  2. Paul Stephens
  3. DOI: 10.1353/pmc.2009.0004
  4. restricted access View |
  1. Anagram, Gestalt, Game in Maya Deren: Reconfiguring the Image in Post-war Cinema
  2. Orit Halpern
  3. DOI: 10.1353/pmc.2009.0006
  4. restricted access View |
  1. Romance in the Age of Cybernetic Conviviality: Hsia Yü's Pink Noise and the Poetics of Postcolonial Translation
  2. Lili Hsieh
  3. DOI: 10.1353/pmc.2009.0008
  4. restricted access View |
  1. Notes on Contributors
  2. DOI: 10.1353/pmc.2009.0000
  3. restricted access View |