1. Carnival on the Stage: Cefalo y Pocris, a comedia burlesca
  2. Eloy R. González
  3. pp. 3-12
  4. DOI: 10.1353/boc.1978.0013
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  1. The Dramatic Use of Place in Lope de Vega's «Peribañez»
  2. P. R. K. Halkhoree
  3. pp. 13-18
  4. DOI: 10.1353/boc.1978.0001
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  1. Los Prologos de Partes IX-XX de Lope de Vega
  2. Thomas E. Case
  3. pp. 19-25
  4. DOI: 10.1353/boc.1978.0004
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  1. Alpha and Omega: Structural Framework of Aguilar's Comedias
  2. John G. Weiger
  3. pp. 26-36
  4. DOI: 10.1353/boc.1978.0006
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  1. More on El Martir de Madrid and La fianza satisfecha
  2. Vern G. Williamsen
  3. pp. 37-39
  4. DOI: 10.1353/boc.1978.0008
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  1. Nota sobre una fuente de Lope de Vega
  2. Kenneth R. Scholberg
  3. pp. 40-41
  4. DOI: 10.1353/boc.1978.0010
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  1. Doña Ana's Seduction in El burlador de Sevilla: A Reconsideration
  2. Luis González-del-Valle
  3. pp. 42-45
  4. DOI: 10.1353/boc.1978.0012
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  1. Tirso's Don Juan as Social Rebel
  2. Alfred Rodríguez
  3. pp. 46-55
  4. DOI: 10.1353/boc.1978.0000
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  1. «Bellaco sois, Gomez» Its Date, Ambient, and Authenticity in Tirso's Theatre
  2. Ruth Lee Kennedy
  3. pp. 56-65
  4. DOI: 10.1353/boc.1978.0003
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  1. Calderón y la crítica: Historia y antología (review)
  2. Henry W. Sullivan
  3. pp. 66-69
  4. DOI: 10.1353/boc.1978.0005
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  1. La dama duende (review)
  2. John Lihani
  3. pp. 69-70
  4. DOI: 10.1353/boc.1978.0007
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  1. Tirso de Molina and The Drama of the Counter Reformation (review)
  2. William Robert Blue
  3. pp. 70-71
  4. DOI: 10.1353/boc.1978.0009
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  1. Forum
  2. John G. Weiger
  3. p. 72
  4. DOI: 10.1353/boc.1978.0011
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  1. Minutes of the 1977 Meeting of the Comdiantes
  2. John Dowling
  3. pp. 74-75
  4. DOI: 10.1353/boc.1978.0014
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  1. Centro de Estudios de los Siglos de Oro
  2. David Gitlits, William M. Whitby
  3. pp. 75-76
  4. DOI: 10.1353/boc.1978.0025
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  1. El Mentidero de Comediantes
  2. p. 77
  3. DOI: 10.1353/boc.1978.0002
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