1. Ordo Profetarum and Comedy in the Auto de la Sibila Casandra
  2. Harry Sieber
  3. pp. 1-5
  4. DOI: 10.1353/boc.1975.0006
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  1. Tirso's View of Women in El Burlador de Sevilla
  2. Ruth Lundelius
  3. pp. 5-14
  4. DOI: 10.1353/boc.1975.0008
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  1. The Question of Means and Magic in Alarcon's La prueba de las promesas
  2. Charles E. Perry
  3. pp. 14-19
  4. DOI: 10.1353/boc.1975.0010
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  1. Para la fecha de La serrana de la Vera
  2. Enrique Rodriguez Cepeda
  3. pp. 19-26
  4. DOI: 10.1353/boc.1975.0012
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  1. Dramatic Use of letras cantadas in El amor mas desgraciado, Cefalo y Pocris
  2. Thomas A. O'Connor
  3. pp. 35-40
  4. DOI: 10.1353/boc.1975.0005
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  1. Sor Juana Ines de la Cruz: The Fourth Labyrinth
  2. Margaret Sayers Peden
  3. pp. 41-48
  4. DOI: 10.1353/boc.1975.0007
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  1. The Anti-Semitism of Cervantes' Los banos de Argel and La gran sultana: A Reappraisal
  2. Nicolas Kanellos
  3. pp. 48-52
  4. DOI: 10.1353/boc.1975.0009
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  1. Unity in El caballero de Olmedo
  2. Harriet B. Powers
  3. pp. 52-59
  4. DOI: 10.1353/boc.1975.0011
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  1. Comedias (review)
  2. A. Valbuena-Briones
  3. pp. 60-61
  4. DOI: 10.1353/boc.1975.0013
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  1. The Metamorphosis of Lope de Vega's King Pedro (review)
  2. Hugh W. Kennedy
  3. pp. 61-62
  4. DOI: 10.1353/boc.1975.0001
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  1. Augustín Moreto (review)
  2. Henry W. Sullivan
  3. pp. 62-64
  4. DOI: 10.1353/boc.1975.0004
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  1. Minutes of the 1974 Meeting of the Comediantes
  2. Charlotte Stern
  3. p. 64
  4. DOI: 10.1353/boc.1975.0000
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  1. El Mentidero de Comediantes
  2. pp. 65-66
  3. DOI: 10.1353/boc.1975.0003
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