1. Lope/Calderón, en «las ansias de la muerte»
  2. José María Díez Borque
  3. pp. 5-40
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  1. La dama juega al duende: Pre-texto, geno-texto y feno-texto
  2. Adrienne Schizzano Mandel
  3. pp. 41-54
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  1. Female Psychosexuality in Tirso's El vergonzoso en palacio
  2. Raymond Conlon
  3. pp. 55-69
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  1. Tirso's Use of Emblems as a Technique of Representation in La mujer que manda en casa
  2. Dawn L. Smith
  3. pp. 71-81
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  1. Love, Matrimony and Desire in the Theatre of Tirso de Molina
  2. Henry W. Sullivan
  3. pp. 83-99
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  1. El Arenal de Sevilla: Circunstancialidad y simbolismo analógico de una comedia lopesca
  2. Barbara E. Kurtz
  3. pp. 101-114
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  1. Calderón's Man in Mexico: The Mexican Source of El gran duque de Gandia
  2. Thomas Hanrahan
  3. pp. 115-127
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  1. Ambiguous Voices and Beauties in Calderón's Eco y Narciso and Their Tragic Consequences
  2. Denise Dipuccio
  3. pp. 129-144
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  1. Lo grotesco en la literatura española del Siglo de Oro (review)
  2. John G. Weiger
  3. pp. 145-148
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  1. Proceedings of the Second Annual Golden Age Spanish Drama Symposium (review)
  2. Ruth Lundelius
  3. pp. 148-149
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  1. A History of Spanish Golden Age Drama (review)
  2. Edward H. Friedman
  3. pp. 149-151
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  1. Del texto dramático a la ceremonia teatral
  2. Alfredo Hermenegildo
  3. pp. 153-160
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  1. Cita en el Chamizal (Festival de El Paso 85): Representaciones
  2. César Oliva
  3. pp. 161-166
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  1. On Readers, Spectators and Critics
  2. Louise Fothergill-Payne
  3. pp. 167-169
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  1. Minutes of the 1984 Meetings of the Comediantes
  2. Shirley B. Whitaker
  3. pp. 171-173
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