1. The «Franciscan Connection» in the Early Castilian Theater
  2. Ronald E. Surtz
  3. pp. 141-152
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  1. Notas sobre la fecha y las fuentes de Los celos de Rodamonte*
  2. Sabatino Maglione
  3. pp. 153-164
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  1. Hacia una nueva definicion de la tragedia calderoniana
  2. José M. Ruano de la Haza
  3. pp. 165-180
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  1. Italian Influences upon Torres Naharro's Comedia Calamita
  2. Donald McGrady
  3. pp. 181-187
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  1. Mileno, Mireno: Creation and Character in El vergonzoso en palacio
  2. Ann E. Wiltrout
  3. pp. 189-195
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  1. El juego de originalidad: rasgo de la comedia frente a su carácter paradigmático
  2. John G. Weiger
  3. pp. 197-206
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  1. The Development of Imagery in Calderón's Comedias (review)
  2. Javier Herrero
  3. pp. 207-208
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  1. The Unifying Concept: Approaches to the Structure of Cervantes' «Comedias» (review)
  2. Patricia Kenworthy
  3. pp. 208-210
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  1. Calderón: The Secular Plays (review)
  2. A. Valbuena-Briones
  3. pp. 210-212
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  1. Calderón de la Barca at the Tercentenary: Comparative Views (review)
  2. Susana Hernández-Araico
  3. pp. 213-216
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  1. Don Juan: Darstellung und Deutung (review)
  2. Henry W. Sullivan
  3. pp. 216-219
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  1. Reason and the Passions in the 'Comedias' of Calderón (review)
  2. Deborah J. Hill
  3. pp. 220-222
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  1. Bibliography of Publications on the Comedia (1982-1983)
  2. Vern G. Williamsen, John J. Reynolds
  3. pp. 223-273
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  1. El Mentidero de Comediantes
  2. pp. 275-276
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