1. An Early Rehash of Lope's Peribanez
  2. Jose M. Ruano de la Haza
  3. pp. 5-29
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  1. Del icono visual al simbolo textual: El «Auto de la pasion» de Lucas Fernandez
  2. Alfredo Hermenegildo
  3. pp. 31-46
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  1. Felipe Godinez's Queen Esther Play
  2. Alice Goldberg
  3. pp. 47-49
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  1. Toward a More Perfect Union: Art and Craft in Calderon's Saber del mal y del bien and ¿Cual es mayor perfeccion?
  2. Edward H. Friedman
  3. pp. 51-67
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  1. Calderon in England: A Social Theory of Production and Consumption
  2. Walter Cohen
  3. pp. 69-77
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  1. Language and Silence in El castigo sin venganza
  2. Melveena McKendrick
  3. pp. 79-95
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  1. The Tragedy of Don Pedro: Old and New Christian Conflict in El valiente Campuzano
  2. Glen F. Dille
  3. pp. 97-109
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  1. The Minor Dramatists of Seventeenth-Century Spain (review)
  2. John G. Weiger
  3. pp. 111-113
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  1. The Birth of a Theater (review)
  2. D. W. McPheeters
  3. pp. 113-115
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  1. La génesis de la teatralidad barroca (review)
  2. Anthony J. Farrell
  3. pp. 115-119
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  1. Forum
  2. Gerald E. Wade
  3. pp. 121-124
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  1. In Response to Professor Wade
  2. David Gitlitz
  3. pp. 125-126
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  1. El Mentidero de Comediantes
  2. p. 127
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  1. Minutes of the 1982 Meetings of the Comediantes
  2. Edward H. Friedman
  3. pp. 129-134
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  1. Individual Members
  2. pp. 131-134
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