1. Chaplin and the Sandblaster: Edmund Wilson’s Avant-Garde Noise Abatement
  2. Scott D. Paulin
  3. pp. 265-296
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  1. The “Adventures and Battles” of Vladimir Dukelsky (a.k.a. Vernon Duke)
  2. Scott Holden
  3. pp. 297-319
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  1. One Person, One Music: Reconsidering the Duke-Dukelsky Musical Style
  2. Aaron Ziegel
  3. pp. 320-345
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  1. “Playing for Change”: Peace, Universality, and the Street Performer
  2. Lily E. Hirsch
  3. pp. 346-367
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  1. Co-Opting Christian Chorales: Songs of the Ku Klux Klan
  2. Michael Jacobs
  3. pp. 368-377
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  1. Music in German Immigrant Theater: New York City, 1840–1940 (review)
  2. William A. Everett
  3. pp. 378-380
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  1. Música Norteña: Mexican Migrants Creating a Nation between Nations (review)
  2. Brenda M. Romero
  3. pp. 380-383
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  1. A Vast Simplicity: The Music of Carl Ruggles (review)
  2. Beth Christensen
  3. pp. 383-384
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  1. A Charles Ives Omnibus (review)
  2. Tom C. Owens
  3. pp. 385-386
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  1. Oye Como Va! Hybridity and Identity in Latino Popular Music (review)
  2. Kariann Goldschmitt
  3. pp. 386-388
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  1. Tabligh (review)
  2. Jeff Schwartz
  3. pp. 389-392
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  1. John Adams: Complete Piano Music (review)
  2. Alexander Sanchez-Behar
  3. pp. 393-395
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