restricted access   Volume 41, Number 3, Fall 2010

Table of Contents



pp. v-x

The Bessie Head—Langston Hughes Correspondence, 1960–1961

pp. 1-20

Understanding the Rural-Urban Dichotomy in Mositi Torontle’s The Victims and Unity Dow’s Far and Beyon’

pp. 21-33

Malawian Literature after Banda and in the Age of AIDS: A Conversation with Steve Chimombo

pp. 33-48

Cosmopolitanism and Social Change in a Zambian Thriller

pp. 49-61

A Survey of the Themes and Techniques in Keamogetsi Joseph Molapong’s Poetry

pp. 62-74

“The body is his, pulse and motion”: Violence and Desire in Yvonne Vera’s The Stone Virgins

pp. 75-87

Black Women Walking Zimbabwe: Refuge and Prospect in the Landscapes of Yvonne Vera’s The Stone Virgins and Tsitsi Dangarembga’s Nervous Conditions and Its Sequel, The Book of Not

pp. 88-111

Living under a New Tree: Organic Representation of a Postwar Future in Mia Couto’s Under the Frangipani

pp. 112-123

Writing “Wider Worlds”: The Role of Relation in Abdulrazak Gurnah’s Fiction

pp. 124-135

Domestic Essay

Domestic Disturbances: African Women’s Cultural Production in the Postcolonial Continuum

pp. 136-146

Book Reviews

Teaching the African Novel (review)

pp. 147-148

Africa Writing Europe: Opposition, Juxtaposition, Entanglement, and: The Changing Face of African Literature (Les nouveaux visages de la littérature africaine) , and: Transcultural English Studies: Theories, Fictions, Realities (review)

pp. 149-151

African Women and Representation: From Performance to Politics (review)

pp. 151-153

Neo-imperialism in Children’s Literature about Africa (review)

pp. 153-155

African Children’s and Youth Literature at the Dawn of the 21st Century (review)

pp. 155-157

L’épreuve de la béance: l’écriture nomade chez Hédi Bouraoui (review)

pp. 157-158

Nollywood: The Video Phenomenon in Nigeria (review)

pp. 158-159

Zulu Love Letter: A Screenplay (review)

pp. 159-161



p. 162