1. The Modernism of Ian McEwan’s Atonement
  2. Richard Robinson
  3. pp. 473-495
  4. DOI: 10.1353/mfs.2010.0015
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  1. Holding on to the Sentimental in Winesburg, Ohio
  2. Aaron Ritzenberg
  3. pp. 496-517
  4. DOI: 10.1353/mfs.2010.0019
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  1. Anti-Menckenism: Nathanael West, Robert M. Coates, and the Provisional Avant-Garde
  2. Jonathan P. Eburne
  3. pp. 518-543
  4. DOI: 10.1353/mfs.2010.0023
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  1. Ernest Hemingway and the Discipline of Creative Writing, Or, Shark Liver Oil
  2. Eric Bennett
  3. pp. 544-567
  4. DOI: 10.1353/mfs.2010.0003
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  1. Textual Entanglement: Jean Rhys’s Critical Discourse
  2. J. Dillon Brown
  3. pp. 568-591
  4. DOI: 10.1353/mfs.2010.0007
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  1. Mutations of Romance: Evolution, Infidelity, and Narrative
  2. Venla Oikkonen
  3. pp. 592-613
  4. DOI: 10.1353/mfs.2010.0010
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  1. Common Places and Commonplace Things: Modernism at Home on an Average Day
  2. Lewis MacLeod
  3. pp. 614-621
  4. DOI: 10.1353/mfs.2010.0013
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  1. Book Reviews
  2. pp. 622-623
  3. DOI: 10.1353/mfs.2010.0017
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  1. Darwin and Faulkner’s Novels: Evolution and Southern Fiction (review)
  2. Charmaine Eddy
  3. pp. 624-627
  4. DOI: 10.1353/mfs.2010.0021
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  1. The Quest for Epic in Contemporary American Fiction: John Updike, Philip Roth and Don DeLillo (review)
  2. Logan Esdale
  3. pp. 627-630
  4. DOI: 10.1353/mfs.2010.0001
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  1. Modernism, the Market and the Institution of the New (review)
  2. Colin Gillis
  3. pp. 630-633
  4. DOI: 10.1353/mfs.2010.0005
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  1. William Faulkner: Seeing Through the South (review)
  2. Vincent Allan King
  3. pp. 633-636
  4. DOI: 10.1353/mfs.2010.0009
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  1. Popular Feminist Fiction as American Allegory (review)
  2. Merja Makinen
  3. pp. 636-638
  4. DOI: 10.1353/mfs.2010.0012
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  1. On the Divide: The Many Lives of Willa Cather (review)
  2. Janis Stout
  3. pp. 639-641
  4. DOI: 10.1353/mfs.2010.0016
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  1. Stalking the Subject: Modernism and the Animal (review)
  2. Brett Buchanan
  3. pp. 642-645
  4. DOI: 10.1353/mfs.2010.0020
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  1. British Literature of the Blitz: Fighting the People’s War (review)
  2. Michael Mirabile
  3. pp. 645-647
  4. DOI: 10.1353/mfs.2010.0000
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  1. Narratives of Class in New Irish and Scottish Literature: From Joyce to Kelman, Doyle, Galloway, and McNamee (review)
  2. Michael O’Sullivan
  3. pp. 647-650
  4. DOI: 10.1353/mfs.2010.0004
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  1. Culture in Camouflage: War, Empire, and Modern British Literature (review)
  2. Paul K. Saint-Amour
  3. pp. 650-653
  4. DOI: 10.1353/mfs.2010.0008
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  1. Gothic Romanced: Consumption, Gender, and Technology in Contemporary Fictions (review)
  2. Daniel Darvay
  3. pp. 654-657
  4. DOI: 10.1353/mfs.2010.0011
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  1. Idylls of the Wanderer: Outside in Literature and Theory (review)
  2. Robert Hughes
  3. pp. 657-659
  4. DOI: 10.1353/mfs.2010.0014
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  1. The Speed Handbook: Velocity, Pleasure, Modernism (review)
  2. Brian Lennon
  3. pp. 660-663
  4. DOI: 10.1353/mfs.2010.0018
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  1. Glamour in Six Dimensions: Modernism and the Radiance of Form (review)
  2. Siobhan Phillips
  3. pp. 663-666
  4. DOI: 10.1353/mfs.2010.0022
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  1. Media, Memory, and the First World War (review)
  2. Steven Trout
  3. pp. 666-669
  4. DOI: 10.1353/mfs.2010.0002
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  1. Contributors
  2. pp. 670-671
  3. DOI: 10.1353/mfs.2010.0006
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