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  Volume 44, Number 2, Summer 2010

Table of Contents

Contents

Pericles, Paul, and Protestantism

pp. 101-129 | DOI: 10.1353/cdr.0.0103

Striking a Pose: Performance Cues in Four French Hagiographic Mystery Plays

pp. 131-154 | DOI: 10.1353/cdr.0.0106

The Spirit of the Chorus in D'Annunzio's La città morta

pp. 155-178 | DOI: 10.1353/cdr.0.0108

"Hilda, Harnessed to a Purpose": Elizabeth Robins, Ibsen, and the Vote

pp. 179-200 | DOI: 10.1353/cdr.0.0110

Tragedy After Darwin: Timberlake Wertenbaker Remakes "Modern" Tragedy

pp. 201-227 | DOI: 10.1353/cdr.0.0098

Reviews

Performance in Place of War (review)

pp. 229-231 | DOI: 10.1353/cdr.0.0100

Euripides: Trojan Women (review)

pp. 231-234 | DOI: 10.1353/cdr.0.0102

Two Moral Interludes: The Pride of Life and Wisdom (review)

pp. 234-236 | DOI: 10.1353/cdr.0.0105

Tragic Conditions in Shakespeare: Disinheriting the Globe (review)

pp. 237-239 | DOI: 10.1353/cdr.0.0107

The Cambridge Introduction to Comedy (review)

pp. 239-242 | DOI: 10.1353/cdr.0.0109

Aristophanes: An Introduction (review)

pp. 242-245 | DOI: 10.1353/cdr.0.0097

Shakespeare on Silent Film: An Excellent Dumb Discourse (review)

pp. 245-248 | DOI: 10.1353/cdr.0.0099

Euripides Our Contemporary (review)

pp. 249-252 | DOI: 10.1353/cdr.0.0101

Contributors

Contributors

pp. 253-254 | DOI: 10.1353/cdr.0.0104

Research Areas

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