restricted access   Volume 24, Number 1, 2010

Table of Contents

The Fairy Tale after Angela Carter

Stephen Benson and Andrew Teverson

Articlees

Editorial Policy

p. 9

Guidelines for Submissions

p. 10

Preface to the Special Issue on the Fairy Tale after Angela Carter

pp. 13-15

Decolonizing Fairy-Tale Studies

pp. 17-38

Collecting the Empire: Andrew Lang's Fairy Books (1889–1910)

pp. 39-56

Through the Looking Glass: Fairy-Tale Cinema and the Spectacle of Femininity in Stardust and The Brothers Grimm

pp. 57-67

"With redundance of blood": Reading Ireland in Neil Jordan's The Company of Wolves

pp. 68-85

When Dreams Travel: Mirrors, Frames, and Storyseekers in Githa Hariharan's Retelling of The Arabian Nights

pp. 86-98

Back to Ölenberg: An Intertextual Dialogue between Fairy-Tale Retellings and the Sociohistorical Study of the Grimm Tales

pp. 99-115

Mouth to Mouth: Queer Desires in Emma Donoghue's Kissing the Witch

pp. 116-130

"But marriage itself is no party": Angela Carter's Translation of Charles Perrault's "La Belle au bois dormant"; or, Pitting the Politics of Experience against the Sleeping Beauty Myth

pp. 131-151

Review Essay

On the Origin of Stories: Evolution, Cognition, and Fiction (review)

pp. 152-161

Reviews

Féeries: Études sur le conte merveilleux XVIIe–XIXe siècle 5, Le Rire des conteurs (review)

pp. 163-166

Handbuch zu den "Kinder- und Hausmärchen" der Brüder Grimm: Entstehung–Wirkung–Interpretation (review)

pp. 166-168

The Arabian Nights in Transnational Perspective (review)

pp. 168-170

Les Mille et une nuits: Entre Orient et Occident (review)

pp. 170-172

Archaeology of Intangible Heritage (review)

pp. 172-174

Once Upon a Time: Myth, Fairy Tales, and Legends in Margaret Atwood's Writing (review)

pp. 174-175

Red Riding Hood for All Ages: A Fairy-Tale Icon in Cross-Cultural Contexts (review)

pp. 176-177

Rhetorics of Fantasy (review)

pp. 178-181

Critical Exchanges

p. 183

Contributors

pp. 184-187