1. No Longer State-of-the-Art: Crafting a Future for CGI
  2. Michele Pierson
  3. pp. 29-47
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  1. Artisanal Prefigurations of the Digital: Animating Realities, Collage Effects, and Theories of Image Manipulation
  2. Maureen Cheryn Turim
  3. pp. 49-62
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  1. Body and Screen
  2. Margaret Morse
  3. pp. 63-75
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  1. Mobile Identities, Digital Stars, and Post-Cinematic Selves
  2. Mary Flanagan
  3. pp. 77-93
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  1. Riddles of the Interface: Hieroglyphic Consciousness and New Experimental Multimedia
  2. Joe Milutis
  3. pp. 95-103
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  1. Intersecting the Virtual and the Real: Space in Interactive Media Installations
  2. George Legrady
  3. pp. 105-113
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  1. Phalke, Melies, and Special Effects Today
  2. Sean Cubitt
  3. pp. 115-130
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  1. Aesthetic Features in Digital Imaging: Collage and Morph
  2. Yvonne Spielmann
  3. pp. 131-148
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  1. Transnational Digital Imaginaries
  2. John Hess, Patricia Rodden Zimmermann
  3. pp. 149-167
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  1. Projected Backwards into the Future--Cinemedia's Platform 1.0 on Federation Square
  2. Ross Gibson
  3. pp. 169-179
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  1. When Analog Cinema Becomes Digital Memory. ..
  2. David Tafler
  3. pp. 181-204
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  1. By Way of Introduction: Digitality and the Memory of Cinema, or, Bearing the Losses of the Digital Code
  2. Timothy Murray
  3. pp. 3-27
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