restricted access   Volume 21, Number 1, January 1999

Table of Contents

From: Wide Angle

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Guest Editor: Timothy Murray

By Way of Introduction: Digitality and the Memory of Cinema, or, Bearing the Losses of the Digital Code

pp. 3-27
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No Longer State-of-the-Art: Crafting a Future for CGI

pp. 29-47
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Artisanal Prefigurations of the Digital: Animating Realities, Collage Effects, and Theories of Image Manipulation

pp. 49-62
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Body and Screen

pp. 63-75
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Mobile Identities, Digital Stars, and Post-Cinematic Selves

pp. 77-93
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Riddles of the Interface: Hieroglyphic Consciousness and New Experimental Multimedia

pp. 95-103
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Intersecting the Virtual and the Real: Space in Interactive Media Installations

pp. 105-113
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Phalke, Melies, and Special Effects Today

pp. 115-130
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Aesthetic Features in Digital Imaging: Collage and Morph

pp. 131-148
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Transnational Digital Imaginaries

pp. 149-167
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Projected Backwards into the Future--Cinemedia's Platform 1.0 on Federation Square

pp. 169-179
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When Analog Cinema Becomes Digital Memory. ..

pp. 181-204
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