1. Screening the Modern Girl: Intermediality in the Adaptation of Flaming Youth
  2. Sara Ross
  3. pp. 271-290
  4. DOI: 10.1353/mod.0.0209
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  1. Blondes Have More Fun: Anita Loos and the Language of Silent Cinema
  2. Laura Frost
  3. pp. 291-311
  4. DOI: 10.1353/mod.0.0213
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  1. Literary Modernism in the Age of Celebrity
  2. Timothy W. Galow
  3. pp. 313-329
  4. DOI: 10.1353/mod.0.0191
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  1. “An invincible force meets an immovable object”: Gertrude Stein comes to Chicago
  2. Liesl Olson
  3. pp. 331-361
  4. DOI: 10.1353/mod.0.0195
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  1. Forms of Havoc: The Malatesta Cantos and The Battler
  2. Evan Rhodes
  3. pp. 363-382
  4. DOI: 10.1353/mod.0.0199
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  1. The Siamese Demon: Wyndham Lewis and America
  2. Jamie Wood
  3. pp. 383-398
  4. DOI: 10.1353/mod.0.0203
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  1. An Older Future: Gabriel Alomar’s El Futurisme (1904)
  2. Ara H. Merjian
  3. pp. 401-408
  4. DOI: 10.1353/mod.0.0207
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  1. Futurism
  2. Gabriel Alomar, Ara H. Merjian
  3. pp. 409-420
  4. DOI: 10.1353/mod.0.0214
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  1. The Epoch of the Small Reviews
  2. Robert Scholes
  3. pp. 421-429
  4. DOI: 10.1353/mod.0.0211
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  1. Exhibiting Genders
  2. Kathryn Holland
  3. pp. 431-436
  4. DOI: 10.1353/mod.0.0189
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  1. Dances with Darwin, 1875–1910: Vernacular Modernity in France (review)
  2. Raymond Watkins
  3. pp. 437-439
  4. DOI: 10.1353/mod.0.0193
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  1. Picasso and Apollinaire: The Persistence of Memory (review)
  2. Jessica R. Feldman
  3. pp. 439-441
  4. DOI: 10.1353/mod.0.0201
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  1. Margaret Storm Jameson: A Life (review)
  2. Phyllis Lassner
  3. pp. 441-443
  4. DOI: 10.1353/mod.0.0210
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  1. Race, American Literature, and Transnational Modernisms (review)
  2. Daniel Katz
  3. pp. 443-445
  4. DOI: 10.1353/mod.0.0188
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  1. The Scene of Harlem Cabaret: Race, Sexuality, Performance (review)
  2. David Krasner
  3. pp. 445-446
  4. DOI: 10.1353/mod.0.0192
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  1. Broadcasting Modernism (review)
  2. Edward P. Comentale
  3. pp. 447-448
  4. DOI: 10.1353/mod.0.0196
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  1. Little Machinery: A Critical Facsimile Edition (review)
  2. Eric Bulson
  3. pp. 448-450
  4. DOI: 10.1353/mod.0.0200
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  1. Machine-Age Comedy (review)
  2. Lisa Colletta
  3. pp. 450-452
  4. DOI: 10.1353/mod.0.0204
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  1. British Cinema and Middlebrow Culture in the Interwar Years (review)
  2. Amy Sargeant
  3. pp. 452-454
  4. DOI: 10.1353/mod.0.0208
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  1. The Letters of Samuel Beckett, Volume 1: 1929–1940 (review)
  2. James McNaughton
  3. pp. 454-456
  4. DOI: 10.1353/mod.0.0212
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  1. Imagining Nabokov: Russia Between Art and Politics (review)
  2. Leland de la Durantaye
  3. pp. 457-458
  4. DOI: 10.1353/mod.0.0190
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  1. The Frankfurt School in Exile (review)
  2. Tobias Boes
  3. pp. 458-459
  4. DOI: 10.1353/mod.0.0194
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  1. Narrative Beginnings: Theories and Practices (review)
  2. Richard Robinson
  3. pp. 460-462
  4. DOI: 10.1353/mod.0.0198
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  1. Kay Boyle for the Twenty-First Century: New Essays (review)
  2. Marilyn Elkins
  3. pp. 462-463
  4. DOI: 10.1353/mod.0.0202
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  1. Reconstructing the World: Southern Fictions and U.S. Imperialisms, 1898–1976 (review)
  2. Jon Smith
  3. pp. 464-465
  4. DOI: 10.1353/mod.0.0206
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  1. Recent Books of Interest
  2. pp. 467-469
  3. DOI: 10.1353/mod.0.0205
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