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Table of Contents

  1. Learning from Barry Sullivan: Shaw’s First Superman
  2. Stanley Weintraub
  3. pp. 36-42
  4. DOI: https://doi.org/10.1353/shaw.2010.0003
  5. restricted access
  1. “Dear Harp of My Country”; or, Shaw and Boucicault
  2. Martin Meisel
  3. pp. 43-62
  4. DOI: https://doi.org/10.1353/shaw.2010.0007
  5. restricted access
  1. Protestant Perspectives on Ireland: John Bull’s Other Island and The Real Charlotte
  2. Eibhear Walshe
  3. pp. 63-74
  4. DOI: https://doi.org/10.1353/shaw.2010.0011
  5. restricted access
  1. Shaw and the Syngean Provocation
  2. Nelson O’Ceallaigh Ritschel
  3. pp. 75-94
  4. DOI: https://doi.org/10.1353/shaw.2010.0015
  5. restricted access
  1. Bernard Shaw and James B. Fagan, Playwright and Producer
  2. Christopher Innes
  3. pp. 95-107
  4. DOI: https://doi.org/10.1353/shaw.2010.0018
  5. restricted access
  1. Undoing Identities in Two Irish Shaw Plays: John Bull’s Other Island and Pygmalion
  2. Kimberly Bohman-Kalaja
  3. pp. 108-132
  4. DOI: https://doi.org/10.1353/shaw.2010.0021
  5. restricted access
  1. Shaw, Ireland, and World War I: O’Flaherty V.C., an Unlikely Recruiting Play
  2. Terry Phillips
  3. pp. 133-146
  4. DOI: https://doi.org/10.1353/shaw.2010.0002
  5. restricted access
  1. Meditations in Time of Civil War: Back to Methuselah and Saint Joan in Production, 1919–1924
  2. James Moran
  3. pp. 147-160
  4. DOI: https://doi.org/10.1353/shaw.2010.0006
  5. restricted access
  1. Shaw, The Bell, and Irish Censorship in 1945
  2. Brad Kent
  3. pp. 161-174
  4. DOI: https://doi.org/10.1353/shaw.2010.0010
  5. restricted access
  1. John Bull’s Other Eden
  2. Heinz Kosok
  3. pp. 175-190
  4. DOI: https://doi.org/10.1353/shaw.2010.0014
  5. restricted access
  1. Exorbitant Apparatus: On the Margins with Shaw, Beckett, and Joyce
  2. Craig N. Owens
  3. pp. 191-215
  4. DOI: https://doi.org/10.1353/shaw.2010.0017
  5. restricted access
  1. Bernard Shaw in Contemporary Irish Studies: “Passé and Contemptible”?
  2. Victor Merriman
  3. pp. 216-235
  4. DOI: https://doi.org/10.1353/shaw.2010.0020
  5. restricted access
  1. Shaw Productions in Ireland, 1900–2009
  2. Nicholas Grene, Deirdre McFeely
  3. pp. 236-259
  4. DOI: https://doi.org/10.1353/shaw.2010.0001
  5. restricted access
  1. Shaw’s Books
  2. Don B. Wilmeth
  3. pp. 260-261
  4. DOI: https://doi.org/10.1353/shaw.2010.0005
  5. restricted access
  1. Shav Versus the Beeb
  2. A. M. Gibbs
  3. pp. 262-266
  4. DOI: https://doi.org/10.1353/shaw.2010.0009
  5. restricted access
  1. Fabian Controversialist
  2. Norma Jenckes
  3. pp. 266-269
  4. DOI: https://doi.org/10.1353/shaw.2010.0013
  5. restricted access
  1. Aesthetic Irritations
  2. Sally Peters
  3. pp. 269-271
  4. DOI: https://doi.org/10.1353/shaw.2010.0016
  5. restricted access
  1. A Continuing Checklist of Shaviana
  2. John R. Pfeiffer
  3. pp. 272-304
  4. DOI: https://doi.org/10.1353/shaw.2010.0004
  5. restricted access
  1. Notices
  3. pp. 310-314
  4. DOI: https://doi.org/10.1353/shaw.2010.0012
  5. restricted access
  1. International Shaw Society
  3. pp. 315-321
  4. DOI: https://doi.org/10.1353/shaw.2010.0022
  5. restricted access
  1. Introduction: Bernard Shaw and the Irish Literary Tradition
  2. Peter Gahan
  3. pp. 1-26
  4. DOI: https://doi.org/10.1353/shaw.2010.0019
  5. restricted access
  1. Two Unpublished Letters to Eamon de Valera: With an Introduction by Brad Kent
  2. Bernard Shaw, Brad Kent
  3. pp. 27-30
  4. DOI: https://doi.org/10.1353/shaw.2010.0000
  5. restricted access
  1. Contributors
  3. pp. 305-309
  4. DOI: https://doi.org/10.1353/shaw.2010.0008
  5. restricted access

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