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Table of Contents

  1. George Peele and the Judgment of Elizabeth I
  2. Paige Martin Reynolds
  3. pp. 263-280
  4. DOI: https://doi.org/10.1353/sel.0.0103
  5. restricted access
  1. Lavinia as Coauthor of Shakespeare's Titus Andronicus
  2. Bethany Packard
  3. pp. 281-300
  4. DOI: https://doi.org/10.1353/sel.0.0095
  5. restricted access
  1. King-Commoner Encounters in the Popular Ballad, Elizabethan Drama, and Shakespeare
  2. Rochelle Smith
  3. pp. 301-336
  4. DOI: https://doi.org/10.1353/sel.0.0097
  5. restricted access
  1. Polysemic Brotherhoods in Henry V
  2. Christopher Dowd
  3. pp. 337-354
  4. DOI: https://doi.org/10.1353/sel.0.0099
  5. restricted access
  1. Surety and Spiritual Commercialism in The Merchant of Venice
  2. Walter S. H. Lim
  3. pp. 355-382
  4. DOI: https://doi.org/10.1353/sel.0.0100
  5. restricted access
  1. The Garter Motto in The Merry Wives of Windsor
  2. Maurice Hunt
  3. pp. 383-406
  4. DOI: https://doi.org/10.1353/sel.0.0101
  5. restricted access
  1. Securing Sleep in Hamlet
  2. Rebecca Totaro
  3. pp. 407-426
  4. DOI: https://doi.org/10.1353/sel.0.0102
  5. restricted access
  1. Early Modern Dramatizations of Virgins and Pregnant Women
  2. Monika Karpinska
  3. pp. 427-444
  4. DOI: https://doi.org/10.1353/sel.0.0094
  5. restricted access
  1. The Roman Actor, Metadrama, Authority, and the Audience
  2. Bill Angus
  3. pp. 445-464
  4. DOI: https://doi.org/10.1353/sel.0.0096
  5. restricted access
  1. Recent Studies in Tudor and Stuart Drama
  2. Emily C. Bartels, Emma Smith
  3. pp. 465-516
  4. DOI: https://doi.org/10.1353/sel.0.0098
  5. restricted access
  1. Books Received
  3. pp. 517-524
  4. DOI: https://doi.org/10.1353/sel.0.0104
  5. restricted access