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Table of Contents

  1. Spectacular History as an Ocular Discipline
  2. Christopher Kent
  3. pp. 1-21
  4. DOI: https://doi.org/10.1353/wan.1996.0018
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  1. 'Living Pictures': Women and Tableaux Vivants in Nineteenth-Century American Fiction and Culture
  2. Mary Chapman
  3. pp. 22-52
  4. DOI: https://doi.org/10.1353/wan.1996.0016
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  1. 'Journey for Those Who Can Not Travel': Promenade Cinema and the Museum Life Group
  2. Alison Griffiths
  3. pp. 53-84
  4. DOI: https://doi.org/10.1353/wan.1996.0017
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  1. Etienne-Gaspard Robertson: La Vie d'un Fantasmagore (review)
  2. Erik Barnouw
  3. pp. 101-106
  4. DOI: https://doi.org/10.1353/wan.1996.0014
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  1. Mix itself is genuine
  2. Arthur Knight
  3. pp. 107-112
  4. DOI: https://doi.org/10.1353/wan.1996.0015
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  1. Pre-Cinema History: An Encyclopedia and Annotated Bibliography of the Moving Image Before 1896 (review)
  2. Scott MacDonald
  3. pp. 113-114
  4. DOI: https://doi.org/10.1353/wan.1996.0013
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  1. The Changing Landscape of Modernity: Early Film and America's "Great Picture" Tradition (with an Appendix of North American Landscape Films in the Paper Print Collection of the Library of Congress)
  2. Iris Cahn
  3. pp. 85-100
  4. DOI: https://doi.org/10.1353/wan.1996.0012
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