1. Lope y la evolución del gracioso
  2. Manuel Durán
  3. pp. 5-12
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  1. Animal Symbolism and the Characterization of Mendo in Rojas Zorrilla's Del rey abajo, ninguno
  2. Raymond Conlon
  3. pp. 13-23
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  1. The Pathos of Mencía's Death in Calderón's El médico de su honra
  2. A. Robert Lauer
  3. pp. 26-40
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  1. Tirso de Molina's Idea of Tragedia
  2. David H. Darst
  3. pp. 41-52
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  1. How to Read a Comedia: Branching Points in the Script of Lope's La discreta enamorada
  2. David Gitlitz
  3. pp. 53-65
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  1. Noticias para el gobierno de la Sala de Alcaldes de Casa y Corte
  2. Jose M. Ruano De La Haza
  3. pp. 67-74
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  1. The Date of Composition of Mira de Amescua's La Fénix de Salamanca
  2. Jorge E. Taracido
  3. pp. 75-84
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  1. The Legend of the Siete Infantes de Lara and Its Theatrical Representation by Cueva and Lope
  2. Susan de Carvalho
  3. pp. 85-102
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  1. La marginación del carnaval: Celos, aun del aire, matan de Pedro Calderón de la Barca
  2. Alfredo Hermenegildo
  3. pp. 103-120
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  1. Editing the comedia (review)
  2. Kurt Reichenberger, Roswitha Reichenberger
  3. pp. 121-123
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  1. Lo fingido verdadero. Acting is Believing (review)
  2. Frederick A. de Armas
  3. pp. 123-124
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  1. Lope de Vega y el teatro español del Siglo de Oro (review)
  2. Ruth Lundelius
  3. pp. 125-126
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  1. Le Personnage dans la littérature du siècle d'or: statut et fonction (review)
  2. Teresa S. Soufas
  3. pp. 126-127
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  1. Studies in Honor of William C. McCrary (review)
  2. James Agustín Castañeda
  3. pp. 127-130
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  1. Comediantes: (Estados Unidos y Puerto Rico)
  2. pp. 131-136
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  1. "Parallel Lives: Spanish and English National Drama, 1580-1680"
  2. Charles Ganelin
  3. pp. 137-139
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  1. Al Director
  2. Mary Parker
  3. pp. 141-143
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  1. Chamizal 1988
  2. Teresa J. Kirschner
  3. pp. 145-152
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  1. Mentidero de Comediantes
  2. pp. 153-156
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