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Table of Contents

  1. Language and Seduction in El burlador de Sevilla
  2. James Mandrell
  3. pp. 165-180
  4. DOI: https://doi.org/10.1353/boc.1988.0005
  5. restricted access
  1. Iconología de Peribáñez y el comendador de Ocaña
  2. Manuel Delgado-Morales
  3. pp. 181-192
  4. DOI: https://doi.org/10.1353/boc.1988.0007
  5. restricted access
  1. From Copyist to Computer: Identification of Theatrical Scribes of the Siglo de Oro
  2. Margaret Greer
  3. pp. 193-204
  4. DOI: https://doi.org/10.1353/boc.1988.0009
  5. restricted access
  1. Lope's Dialogic Imagination: Writing Other Voices of "Monolithic" Spain
  2. Catherine Swietlicki
  3. pp. 205-226
  4. DOI: https://doi.org/10.1353/boc.1988.0001
  5. restricted access
  1. The Independent Heroines in Ruiz de Alarcón's Major Comedias
  2. David J. Pasto
  3. pp. 227-235
  4. DOI: https://doi.org/10.1353/boc.1988.0002
  5. restricted access
  1. The Perseus Myth as Defined by Calderón and Corneille
  2. Mary Hivnor
  3. pp. 237-247
  4. DOI: https://doi.org/10.1353/boc.1988.0003
  5. restricted access
  1. Calderón in the German Lands and the Low Countries: His Reception and Influence (review)
  2. Charlotte Stern
  3. pp. 249-252
  4. DOI: https://doi.org/10.1353/boc.1988.0004
  5. restricted access
  1. Antonio de Solís et la "Comedia" d'intrigue (review)
  2. Jack H. Parker
  3. pp. 252-254
  4. DOI: https://doi.org/10.1353/boc.1988.0006
  5. restricted access
  1. Mentidero de Comediantes
  3. pp. 255-257
  4. DOI: https://doi.org/10.1353/boc.1988.0008
  5. restricted access
  1. Bibliography of Publications on the Comedia (1987-1988)
  2. John J. Reynolds, Szilvia E. Szmuk
  3. pp. 259-334
  4. DOI: https://doi.org/10.1353/boc.1988.0000
  5. restricted access