1. The Burlador and the Burlados: A Sinister Connection
  2. Raymond Conlon
  3. pp. 5-22
  4. DOI: 10.1353/boc.1990.0015
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  1. Classical Spanish Drama on the Contemporary French Stage
  2. Phyllis Zatlin
  3. pp. 23-33
  4. DOI: 10.1353/boc.1990.0020
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  1. Desire and the Supplement in La estatua de Prometeo
  2. William R. Blue
  3. pp. 35-52
  4. DOI: 10.1353/boc.1990.0026
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  1. By Love Dispossessed: Comic Pharmacology in Calderón's Antes que todo es mi dama
  2. Robert ter Horst
  3. pp. 53-91
  4. DOI: 10.1353/boc.1990.0014
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  1. Un breve olor de corte para La noche de San Juan, de Lope
  2. Luis Caparrós Esperante
  3. pp. 93-117
  4. DOI: 10.1353/boc.1990.0017
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  1. Milking the Machine: The Aesthetics of Formula in Calderón
  2. L. Carl Johnson
  3. pp. 119-127
  4. DOI: 10.1353/boc.1990.0019
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  1. Metatheater and World View in Lope's El divino africano
  2. Thomas E. Case
  3. pp. 129-142
  4. DOI: 10.1353/boc.1990.0022
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  1. Tener voz y dar voces en una audiencia: Dos discursos procesales en Fuenteovejuna
  2. Julio Baena
  3. pp. 143-154
  4. DOI: 10.1353/boc.1990.0024
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  1. Renaissance Drama in England and Spain: Topical Allusion and History (review)
  2. Edward Friedman
  3. pp. 157-159
  4. DOI: 10.1353/boc.1990.0013
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  1. The Legend of Bernardo del Carpio From Chronicle to Drama (review)
  2. Randall W. Listerman
  3. pp. 160-161
  4. DOI: 10.1353/boc.1990.0016
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  1. Gil Vicente and the Development of the Comedia (review)
  2. Jack H. Parker
  3. pp. 161-163
  4. DOI: 10.1353/boc.1990.0018
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  1. Plays and Playhouses in Imperial Decadence (review)
  2. James A. Parr
  3. pp. 163-165
  4. DOI: 10.1353/boc.1990.0021
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  1. El Mentidero de Comediantes
  2. John J. Allen
  3. p. 167
  4. DOI: 10.1353/boc.1990.0023
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